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Dr. Alex Wissner-Gross - I'm delighted to share that Physical Superintelligence PBC (PSI), whi

Physical Super intelligence · Sep 2026 · 1:34 · AI-annotated

Length
1:34
Scenes
85 · 1.1 s avg
Product on screen
0:00
Call to action
1:28 · 94%
Voiceover
Yes
00:00:00 / 01:34:19

Physical Super intelligence’s 1:34 launch film runs 85 scenes, about 1.1 s each. The product is on screen from the first frame. The call to action lands at 1:28 (94% in), over a voiceover. The video is built as a retro amber terminal that types questions and compiles answers, with each question opening a montage act: archival history, institutional decline, then AI factories and space. Pacing runs at about 136 bpm with a cut every 1.4 seconds, and the signature moves are the typing prompt with pulsing waveform, dot-matrix faces resolving from scanline noise, and kinetic 3D renders of data centers, satellites and cosmic structures.

Footage neededEstimated needs: 2 capture groups — your screens or recordings · 1 official logo — reused across the film · 45 filmed passages — shoot, supply or replace · 23 graphic passages — draw or supply · 14 3D passages — build or supply

Is this your launch? to your site or press kit.

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Dr. Alex Wissner-Gross - I'm delighted to share that Physical Superintelligence PBC (PSI), whi, scene by scene

· 85 scenes as text
  1. 01 · Product intro · 0:00–0:01

    On a dark brown field of horizontal scan lines, a small yellow square at center scales up into a large glowing square. As it settles, a smaller yellow rectangle with two curved arcs fades in at its middle.

    Camera: Pull out

  2. 02 · Problem · 0:01–0:07

    A retro terminal screen with amber glow and scanlines opens on a waveform tile, then the prompt types the question while a waveform bar pulses below. The line scrolls up to show Processing..., a dot-matrix cursor assembles, and the frame fills with a dot-matrix image as Compil types in.

    On-screen text: “How was physics discovered?”, “Processing...”

    Techniques: Kinetic type, Particles

    Camera: Push in

  3. 03 · Problem · 0:07–0:08

    A low-resolution face built from green and orange dots flickers inside a thin orange frame on a dark red field. Below it, a yellow progress bar labeled “Compiling history...” fills from left to right as the face shifts and resolves.

    On-screen text: “Compiling history...”

    Camera: Static

  4. 04 · Problem · 0:08–0:10

    A man's face, built from a grid of glowing orange dots, holds center on a dark background while a progress bar fills beneath it. The face dissolves into a tangle of dark branches, and the caption switches from Compiling history to COMPLETE.

    On-screen text: “Compiling history...”, “COMPLETE”

    Techniques: Particles, Morph

    Camera: Push in

  5. 05 · Problem · 0:10–0:11

    Over the shoulder of a long-haired figure in a fur cloak, a circle of similarly dressed people sit in tall grass, framed by a lattice of bare branches. One holds a thin stick while the camera drifts with a slow handheld sway.

    Camera: Static

  6. 06 · Problem · 0:11–0:11

    A dark handheld close-up whips past a vertical wooden pole gripped in a hand, with coarse furry textures blurred on either side against a black background. The fast camera motion keeps every element out of focus.

    Camera: Pan

  7. 07 · Problem · 0:11–0:13

    A tight close-up holds on burning logs, orange flames licking the right edge while pale smoke drifts up through the warm brown frame. The shot drifts slightly, keeping the glowing wood and rising smoke in focus.

    Camera: Pan

  8. 08 · Problem · 0:13–0:13

    Inside a dim cave, a silhouetted long-haired figure walks away from the camera toward the bright oval opening, where a sunlit field and hills appear. A spear leans against the left wall and a hide rests in the foreground.

    Camera: Static

  9. 09 · Problem · 0:13–0:14

    A grainy vintage film shot of a painting: a bald man in white robes sits hunched over an open book in a wooden chair, against a dark red wall with a draped curtain at left. The camera holds still, then drifts in slowly on the figure.

    Camera: Push in

  10. 10 · Problem · 0:14–0:15

    A close-up of an aged manuscript crossfades from blurred Greek script to a sharp geometric diagram of a circle crossed by vertical lines, marked with letter labels.

    Camera: Pan

  11. 11 · Problem · 0:15–0:15

    A close-up of an aged book page holds a geometric diagram of five vertical lines rising from a curved scale. As the frame holds, extra construction lines and Greek letter labels draw themselves across the dotted ellipse, completing the figure.

    Camera: Static

  12. 12 · Problem · 0:15–0:16

    A scanned old manuscript page fills the frame, showing a hand-drawn circle with inscribed chords and Greek letter labels, marked Fig. 6. The image drifts slowly upward, raising the diagram and trimming the Greek body text at the bottom.

    Camera: Static

  13. 13 · Problem · 0:16–0:16

    A tight close-up of a weathered stone bust of a bearded man, framed on the eyes and beard. The image carries film grain and faint scratches, holding nearly still with a slow, subtle drift. The muted green-gray tone gives it an archival feel.

    Camera: Static

  14. 14 · Problem · 0:16–0:17

    A tight close-up of an aged cream page holds a vintage scientific engraving. The frame drifts slowly across the diagram, tracing wireframe cones, hatched shading, and scattered serif letters. The motion is a gentle pan over the paper.

    Camera: Pan

  15. 15 · Problem · 0:17–0:18

    Black-and-white archival footage: a hand in a dark sleeve holds a long rifle level against a black backdrop, then cuts to a tight head-on view of the muzzle, the rifling visible in the bore. A large numeral 1 scales in over the locked-off frame.

    On-screen text: “1”

    Camera: Static

  16. 16 · Problem · 0:18–0:18

    An aged parchment with a mirrored handwritten diagram and mechanical sketches drifts slowly, then cross-dissolves into a portrait of a long-haired man in a dark coat set against a black field of white serif lettering and geometric line diagrams.

    Camera: Static

  17. 17 · Problem · 0:18–0:19

    A hand with a metal stylus traces the Vitruvian Man sketch on a white grid surface, then the image dissolves to the same drawing on aged sepia paper as the hand fades out.

    Camera: Static

  18. 18 · Problem · 0:19–0:19

    A full-body human silhouette filled with orange branching lines stands centered against a teal, vertically streaked, mottled background. The illustration holds steady in a static medium shot.

    Camera: Static

  19. 19 · Problem · 0:19–0:21

    A locked-off close-up of an open antique book. The title page turns to reveal the 'Giornata Prima' page, while a yellow caption builds word by word across the center of the frame.

    On-screen text: “Slowly at first”

    Techniques: Kinetic type

    Camera: Static

  20. 20 · Problem · 0:21–0:21

    Grainy archival footage holds a locked-off shot of a row of metal rings and white cards on sticks receding into a dark room. A cream monospace caption sits at center, then fades out.

    On-screen text: “Slowly at first”

    Camera: Static

  21. 21 · Problem · 0:21–0:22

    A vintage bulb hangs from a cord against a dark wall with ornate ceiling molding. It glows, then switches off as the yellow-highlighted word Then sits to its left and a thin orange line trails off to the upper right.

    On-screen text: “Then”

    Camera: Static

  22. 22 · Problem · 0:22–0:22

    A jagged lightning bolt forks down a brown sky, then the frame cuts to a black-and-white cylindrical machine behind metal grates. Orange highlighted text builds word by word across the center.

    On-screen text: “Then all at”

    Techniques: Kinetic type

    Camera: Static

  23. 23 · Problem · 0:22–0:23

    Black-and-white archival footage cuts from a large metal machine to a hand flipping toggle switches on a control panel. The caption 'Then all at once' holds centered, with 'once' boxed in pale yellow.

    On-screen text: “Then all at once”

    Camera: Static

  24. 24 · Problem · 0:23–0:24

    A grainy archival close-up holds on a reel-to-reel tape recorder, its two reels turning and a lit digital counter at the top, while an orange monospace caption sits locked over the reels.

    On-screen text: “Then all at once”

    Camera: Pan

  25. 25 · Problem · 0:24–0:25

    A man in a dark suit speaks at a wooden podium bearing the presidential seal, microphones angled toward him. An American flag hangs at the left edge. A packed crowd of seated men fills the bleachers behind. The shot holds steady on the medium frame.

    Camera: Static

  26. 26 · Problem · 0:25–0:25

    A grainy black-and-white room holds a vintage television on a stand, its screen showing a blurry figure. A person's head sits out of focus at left and a child in a striped shirt leans in at right, both facing the set. The camera stays still.

    Camera: Pull out

  27. 27 · Problem · 0:25–0:26

    A woman sits in a chair seen from behind, holding a remote control, facing a vintage wooden television. On the screen a circular image shows a person in white. The room is dim, with a small table and a metal stand beside the TV.

    Camera: Static

  28. 28 · Problem · 0:26–0:26

    A white line-drawn atom with three crossing elliptical orbits and a small cluster of gold spheres at its center rotates slowly on a grainy dark gray background.

    Camera: Static

  29. 29 · Problem · 0:26–0:28

    A white atom icon with three elliptical orbits sits centered over a dark, grainy image of a power plant. The icon fades as the frame brightens into a sunset shot of two cooling towers, their steam plumes rising against a streaked sky.

    Camera: Pull out

  30. 30 · Problem · 0:28–0:29

    A grainy vintage shot of a crowded control room. Men in white shirts and headsets sit at rows of angled consoles covered in dials and switches, hands on their faces or working the panels. A man in a blue shirt occupies the right foreground, looking down.

    Camera: Static

  31. 31 · Problem · 0:29–0:29

    A tight close-up of a dark instrument panel shows red and white warning labels and a three-position switch. A black gloved hand reaches in from the right, fingers resting near the controls.

    Camera: Static

  32. 32 · Problem · 0:29–0:30

    A vintage rocket stands on a launch pad beside a red service tower. Engines ignite, a bright flame and orange smoke billow outward as the vehicle begins to lift off under a cloudy blue sky.

    Camera: Static

  33. 33 · Problem · 0:30–0:30

    A vertical white launch structure fills the frame, its red USA lettering emerging from a blur as debris and smoke streak past. A sliver of blue sky and a red beam sit at the left edge. The shot is grainy archival film.

    Techniques: Particles

    Camera: Static

  34. 34 · Problem · 0:30–0:31

    A grainy spacecraft drifts diagonally across a black void, a bright orange-white exhaust trail flaring behind it as it moves toward the upper right corner.

    Camera: Static

  35. 35 · Problem · 0:31–0:32

    A medium close-up of an astronaut in a white spacesuit with a gold reflective visor, standing on the gray lunar surface. Both gloved hands grip a thin rod-like tool, making small adjustments. The dark void of space sits at the upper left corner.

    Camera: Static

  36. 36 · Problem · 0:32–0:33

    A gold-foil wrapped instrument stands on a gray lunar surface, a white cable trailing left, against a black sky and a soft horizon ridge. The grainy archival shot holds static, with no movement.

    Camera: Static

  37. 37 · Problem · 0:33–0:34

    A dark space view shows a curved planet limb glowing teal at the bottom while a dense field of golden particles swirls into a bright vortex. The camera then moves into a circular chamber ringed with vertical lights, the whole scene bathed in amber.

    Techniques: Particles

    Camera: Push in

  38. 38 · Problem · 0:34–0:35

    A dark space void frames a large circular station module seen from below. The structure glows warm orange, then shifts to a cool white as a central round window comes into view. Small lights dot the curved rim against black space.

    Camera: Static

  39. 39 · Problem · 0:35–0:35

    A curved metallic arch with a glowing circular core floats in a dark field scattered with small orange lights. A dense static texture then floods the frame, breaking the clean image.

    Camera: Static

  40. 40 · Problem · 0:35–0:41

    TV static cuts to a dark terminal screen with an orange border. The line 'Then something broke.' slides in, then '> What happened?' types out. A progress bar fills left to right, reading 'FINDING ANSWERS...' then 'COMPLETE', while a waveform pulses at the bottom.

    On-screen text: “Then something broke.”, “What happened?”, “FINDING ANSWERS...”, “COMPLETE”

    Techniques: Kinetic type

    Camera: Pull out

  41. 41 · Problem · 0:41–0:42

    A high, symmetrical locked-off shot of a vast beige cubicle farm, rows of desks and seated workers receding to a vanishing point, as thin caption text fades across the left and a COMPLETE banner flashes mid-frame.

    On-screen text: “Then something broke.”, “What happened?”, “COMPLETE”

    Camera: Push in

  42. 42 · Problem · 0:42–0:43

    Grainy black-and-white archival footage shows two men standing side by side. The man on the left wears a dark suit and tie with a mustache; the man on the right has curly hair and a white shirt. Vertical scan lines and a bright horizontal streak distort the image.

    Camera: Static

  43. 43 · Problem · 0:43–0:45

    In a dim, grainy computer room, men in shirts and ties stand and sit among rows of large gray mainframe consoles. One man crosses his arms in the foreground while another in a white shirt stands at center, papers pinned to the machines. The camera pushes in slowly.

    Camera: Push in

  44. 44 · Problem · 0:45–0:46

    A man in a black t-shirt sits at a studio microphone, gesturing with his right hand as he speaks. A lit wooden shelf wall behind him holds the MOONSHOTS wordmark, a model rocket and an astronaut figure on white stands. The frame is locked off at a medium shot.

    Camera: Static

  45. 45 · Problem · 0:46–0:47

    A man with graying hair in a dark shirt speaks into a studio microphone, framed in a tight medium shot. Behind him, warm-lit shelving holds a wooden panel marked with a “MO” logo. The camera holds still on his face as he talks.

    Camera: Static

  46. 46 · Problem · 0:47–0:48

    A low wide shot frames a long wooden conference table in a smoky, dim room. Men in suits sit on both sides with microphones and open papers, one man at the head. Beams of light cut down through the haze from ceiling fixtures.

    Camera: Push in

  47. 47 · Problem · 0:48–0:49

    A close-up of a paper receipt with a blue “DEPT. Of RECORDS” stamp. The paper is rapidly flipped or pulled away, creating heavy motion blur that obscures the text.

    On-screen text: “RECEIPT”, “DEPT. Of RECORDS”

    Camera: Pull out

  48. 48 · Problem · 0:49–0:50

    A dark, grainy close-up of a printing machine with a stack of paper labels on the left and a thin vertical rod held in the center. The handheld camera drifts slowly across the dim workshop.

    Camera: Pull out

  49. 49 · Problem · 0:50–0:51

    A high aerial shot drifts slowly over a nuclear plant. A weathered concrete cooling tower fills the right foreground, while a second tower, low buildings and a road sit in the misty distance under an overcast sky.

    Camera: Static

  50. 50 · Problem · 0:51–0:53

    A low-angle wide shot holds on an abandoned concrete atrium, overgrown plants filling the foreground beneath a broken skylight. The camera drifts slightly, keeping the decaying structure in frame.

    Camera: Static

  51. 51 · Problem · 0:53–0:54

    A dark, grainy close-up of a desk holds a white sheet of paper and a small pale device, the frame drifting with heavy motion blur. The low-lit shot stays roughly in place while the voiceover plays over it.

    Camera: Pull out

  52. 52 · Demo · 0:54–1:01

    A dark terminal screen types orange monospace lines under a prompt, the lines scroll up as a flickering pixelated orange shape forms in the center. The bottom audio waveform morphs into a progress bar reading FINDING ANSWERS.

    On-screen text: “Leaving the deepest questions unanswered.”, “What now?”, “FINDING ANSWERS...”

    Techniques: Kinetic type, Morph

    Camera: Push in

  53. 53 · Demo · 1:01–1:02

    A 3D tunnel of glowing amber code columns rushes toward the camera, then bursts into bright vertical light beams inside a dark mechanical structure.

    Techniques: Parallax

    Camera: Push in

  54. 54 · Demo · 1:02–1:03

    A dark mechanical interior rendered in 3D, packed with bright vertical light beams and tangled cables. The camera drifts and tilts through the space with heavy motion blur, the grade shifting from magenta to deep purple.

    Techniques: Parallax

    Camera: Push in

  55. 55 · Demo · 1:03–1:03

    A circular lens frames a macro view of a silicon wafer, its grid of tiny squares tilted in 3D. A diagonal beam of light sweeps across the surface, shifting from warm white to violet, while orange bokeh blurs in the dark background.

    Techniques: Masking, Light sweep

    Camera: Pull out

  56. 56 · Demo · 1:03–1:04

    A macro close-up of a colorful microchip grid holds still, then a white crack splits across the surface and the grid shatters into fragments that fall away into a dark void.

    Techniques: Particles

    Camera: Pull out

  57. 57 · Demo · 1:04–1:05

    A radial motion-blur transition snaps into a static eye-level shot of a tall black rack with an amber numbered port panel and bundles of black cables, standing beside gray power cabinets in a dim data center.

    Camera: Pull out

  58. 58 · Demo · 1:05–1:06

    A slow lateral move through an industrial hall. Tall black racks with copper pipes and yellow level numbers fill the left foreground, while a yellow gantry crane and cable trays sit in the bright background. The frame widens to reveal a second rack on the right.

    Camera: Pull out

  59. 59 · Demo · 1:06–1:07

    Two rows of server racks with dense yellow and dark cabling line a long data center aisle. The camera dollies backward, widening the view to show the corridor's depth and a yellow forklift parked at the far end under bright ceiling lights.

    Camera: Pull out

  60. 60 · Demo · 1:07–1:08

    A long row of data center halls in 3D perspective sits on dark ground, orange flames rising along its roofline while white vector arrows drift across the frame. A vertical heat scale with Kelvin values stands fixed at the right as the camera slowly pans along the row.

    Camera: Pull out

  61. 61 · Demo · 1:08–1:09

    An aerial wide shot frames a sprawling industrial complex under a pale blue sky: white plant buildings, a lattice of steel walkways and pipes in the foreground, and a control tower on the horizon. The camera holds steady with a subtle push-in.

    Camera: Pull out

  62. 62 · Demo · 1:09–1:10

    A wide shot shows a black and white rocket lifting off beside a tall steel launch tower. White smoke billows outward across the grassy pad under a clear blue sky. The camera holds steady as the plume expands and the rocket begins to rise.

    Camera: Static

  63. 63 · Demo · 1:10–1:11

    A metallic tower with vertical columns rises from a purple platform while orange flames and gray smoke billow up around it. The structure glows against a dark background as the fire flickers and the smoke drifts upward.

    Camera: Static

  64. 64 · Demo · 1:11–1:12

    Two solar-panelled satellites drift in dark space above a glowing blue horizon. The camera pulls back to reveal a wireframe globe ringed by a magenta hexagon and a white orbital track, then settles on a flat world map where the track crosses a red star marker.

    Techniques: 3D mockup, Parallax

    Camera: Pan

  65. 65 · Demo · 1:12–1:13

    A 3D abstract structure of pink wireframe lines frames a glowing blue and yellow energy core with a bright white center. A white track with small rings cuts across it as the camera pushes in and the frame flattens to a frontal grid.

    Techniques: Parallax

    Camera: Static

  66. 66 · Demo · 1:13–1:14

    A dark amber field of small glowing characters fills the frame. A bright ring of text spins in the center, tilting between frames, while a thin border of characters lines the edges.

    Camera: Push in

  67. 67 · Demo · 1:14–1:14

    A dark silhouette of a person's head and shoulders fills the right foreground, facing a wall of amber screens. The screens glow with a fine grid of scan lines and soft luminous shapes. The camera holds a static over-the-shoulder frame.

    Camera: Static

  68. 68 · Demo · 1:14–1:16

    A 3D render shows Earth from space, its surface traced by a glowing blue network of nodes and lines. A dark satellite dish slides in from the lower left, then the frame cuts to the satellite's metal frame, where two robotic arms point down toward the planet.

    Techniques: 3D mockup

    Camera: Static

  69. 69 · Demo · 1:16–1:16

    Two white and black robotic arms move in a dim workshop, reaching toward a long row of labeled metal fixtures mounted on a gray wall. The arms extend and retract in sync as the camera holds a wide, static frame.

    Camera: Pan

  70. 70 · Demo · 1:16–1:17

    A silver car body frame moves along an assembly line inside a bright factory. Orange robotic arms reach up from below and the side to work on the chassis. The camera tracks the frame as it travels past white ceiling trusses and overhead lights.

    Camera: Static

  71. 71 · Demo · 1:17–1:18

    A dark starfield of white, blue and amber dots fills the frame. A cluster of thin teal elliptical orbits crosses at the center around a glowing cyan core, with small blue nodes riding the paths. The orbital structure rotates slowly while the stars drift.

    Camera: Push in

  72. 72 · Demo · 1:18–1:19

    A purple starfield with a glowing horizontal band and thin teal arcs fills the frame, then cuts to vertical columns of amber glyphs on black as a bright light band sweeps across the lower half.

    Techniques: Particles, Light sweep

    Camera: Static

  73. 73 · Demo · 1:19–1:20

    A man in a dark blazer and light blue shirt speaks to the camera in a medium close-up. A glowing lamp sits to his left and pink orchids to his right, the frame overlaid with a fine scanline texture.

    Camera: Static

  74. 74 · Demo · 1:20–1:21

    An orange field of vertical light streaks, diagonal lines and tiny glowing labels fills the frame, then quickly gives way to a 3D globe of Earth, blue oceans and green land, rimmed by a bright atmosphere against a black star field.

    Techniques: Particles

    Camera: Static

  75. 75 · Demo · 1:21–1:22

    Two glowing spiral galaxies with blue tidal tails drift together across a dark starfield, rotating as their arms stretch and overlap. A large numeral slides across the frame.

    On-screen text: “6”

    Camera: Pull out

  76. 76 · Demo · 1:22–1:23

    A purple spiral of soft, smoky bands rotates around two glowing orange dots at its center. The vortex spins continuously, the orange points shifting position as the arms turn.

    Camera: Static

  77. 77 · Demo · 1:23–1:24

    A luminous orange ring, shaped like a black hole accretion disk, sits in a dark sky of billowing clouds lit from within. A thin vertical beam of light falls from its center. The clouds hold nearly still, framing the glowing torus.

    Camera: Static

  78. 78 · Demo · 1:24–1:24

    A dark mass of smoke drifts diagonally across the lower frame as a glowing peach ring of light swirls around it. The arc brightens and the smoke sharpens over the half second, forming an abstract cosmic burst.

    Camera: Static

  79. 79 · Demo · 1:24–1:25

    A bright cluster of glowing particles bursts over a dark faceted hexagonal surface, two amber KOI labels and thin diagonal beams mark nodes on the right. The particles disperse, then the view pushes into a luminous node of the lattice.

    On-screen text: “KOI: 2242.01”, “KOI: 1210.01”

    Techniques: Particles

    Camera: Pull out

  80. 80 · Demo · 1:25–1:26

    A dark perforated lattice of cross shapes curves across the frame over a warm orange glow. A bright starburst flare burns at the center as the surface drifts slowly, the pattern sliding with a gentle rotation.

    Camera: Static

  81. 81 · Demo · 1:26–1:27

    A black field of white branching lines carries gray boxes and yellow coordinate tags linked by dashed arrows. The flat overlay gives way to a 3D ball of green, purple and red filaments that rotates at the center.

    Camera: Static

  82. 82 · Demo · 1:27–1:28

    An overhead city intersection is overlaid with a translucent wavy line pattern. The view cuts to a pixelated close-up of an eye in a thin yellow frame, an audio waveform strip running along the bottom, then breaks into heavy white static.

    Camera: Pull out

  83. 83 · CTA · 1:28–1:31

    A dark maroon terminal screen with scanlines and a glowing orange border. The line > Let's begin. types out letter by letter in the lower left, a block cursor blinking at the end, while a dotted audio waveform pulses in a box along the bottom.

    On-screen text: “Let's begin.”

    Techniques: Kinetic type

    Camera: Static

  84. 84 · CTA · 1:31–1:31

    A dark field of vertical amber character columns fills the screen behind a monospace terminal line reading Let's begin. with a block cursor. A bright yellow square then blooms at center and contracts into a smaller square with a dark hole.

    On-screen text: “Let's begin.”

    Techniques: Masking

    Camera: Pull out

  85. 85 · Outro · 1:31–1:34

    A bright white bloom at center expands and fades, resolving into a logo lockup: a white square with a wave mark left of the all-caps tagline. The text unsquishes from the glow into a clean horizontal line and holds.

    On-screen text: “PHYSICAL SUPERINTELLIGENCE”

    Techniques: Kinetic type

    Camera: Static