0:50
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Polsia - I hired a team of eleven. He is still a solo founder. Ask him. Log e
Polsia · Sep 2026 · 2:56 · AI-annotated
- Length
- 2:56
- Scenes
- 103 · 1.7 s avg
- Product on screen
- 0:43
- Voiceover
- Yes
00:00:00 / 02:56:12
Polsia’s 2:56 launch film runs 103 scenes, about 1.7 s each. The product shows up at 0:43, with social proof. There is no explicit call to action; a voiceover carries the film. The video is built as a single deadpan first-person story told entirely through grainy black-and-white surveillance footage, monospace HUD readouts and hard glitch tears, with locked-off frames and a fast 143 bpm cut rhythm that keeps the mystery moving. Its signature moves are the split-screen pairing of a leisure shot with a work shot, the typewriter HUD counters, and the recurring square face that resolves from a hand-drawn doodle into the closing logo.
Footage neededEstimated needs: 4 capture groups — your screens or recordings · 1 official logo — reused across the film · 86 filmed passages — shoot, supply or replace · 7 graphic passages — draw or supply
Is this your launch? to your site or press kit.
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Polsia - I hired a team of eleven. He is still a solo founder. Ask him. Log e, scene by scene
· 103 scenes as text
01 · Hook · 0:00–0:04
A grainy black-and-white surveillance view holds a locked-off frame as a man in a white shirt and shorts walks through a glass door, dragging a bag. A car sits outside. White HUD text marks the subject, status and time in the corners.
On-screen text: “SUBJECT: BEN_CERA”, “STATUS: RETURNED”, “BADGES ACTIVE: 12”, “CAM 00 - 08:50”
Camera: Static
02 · Hook · 0:04–0:05
A grainy black-and-white CCTV frame shows a man in a cap and t-shirt walking through a glass doorway, pulling a bag. Heavy scan lines and digital glitch tears rip across the image mid-shot. Static HUD text sits in the corners.
On-screen text: “SUBJECT: BEN_CERA”, “STATUS: RETURNED”, “BADGES ACTIVE: 12”, “CAM 00 - 08:50”
Camera: Static
03 · Hook · 0:05–0:06
A grainy black-and-white security camera view, locked off, shows a person in a white shirt walking away down a hallway toward a brighter open office. The frame stays fixed while the figure recedes, with a timestamp and subject label in the corners.
Camera: Static
04 · Hook · 0:06–0:07
Grainy black-and-white security-cam view, locked off. A man in a white t-shirt walks down the hallway away from the camera, carrying a white case toward a lit room. A staircase and plants line the left wall. A static HUD overlay shows subject, badge, contractor lines and a camera timestamp.
On-screen text: “SUBJECT: UNKNONN”, “BADGE: PRINTED BY POLSIA”, “CONTRACTOR: 81”, “CAM 00 - 08:50”, “Ma.P”
Camera: Static
05 · Hook · 0:07–0:09
A grainy black-and-white security camera view of a hallway, opening with a heavy horizontal glitch that clears within a second. A man in a white shirt walks away carrying a laptop bag while a smaller figure stands in the foreground. Corner HUD labels show the badge detection data.
Camera: Static
06 · Hook · 0:09–0:12
Grainy black-and-white CCTV view of a hallway, locked-off. A dark-shirted figure stands with back to camera in the foreground while a man on a skateboard rides away down the hall, holding a laptop. Scanline noise and a corner HUD readout frame the shot.
On-screen text: “SUBJECT: BEN CERA”, “SUBJECT: UNKNOWN”, “DISTANCE: 1,4 M”, “CAM 04 - 08:51”
Camera: Static
07 · Hook · 0:12–0:15
A black-and-white surveillance-style shot of a young man standing in an office hallway, hands in pockets, a lanyard badge on his chest, looking toward the camera. The locked-off frame is covered in scanlines, grain and horizontal glitch bands that distort the image.
On-screen text: “CAM 00 - 08:50”, “SUB,JECT: UNKNOWN”, “DISTANCE: 1,4 M”, “AEADER: FLOOR 3”, “SUBJECT:BEN_CERA”, “SIATUS: ASATNG”, “BADGE 02 - 08:51”
Camera: Static
08 · Hook · 0:15–0:17
A grainy black-and-white CCTV-style shot, locked off, shows a man in a t-shirt and lanyard badge walking down an office hallway toward the camera, with scan lines and static over the frame. White monospaced HUD text sits in the corners.
On-screen text: “READER: FLOOR 3”, “SUBJECT: BEN_CERA”, “STATUS: ASKING”, “BADGE 02 - 08:51”
Camera: Static
09 · Hook · 0:17–0:18
A black-and-white security-camera view of a kitchen. The image starts as heavy digital static and scan lines, then resolves into a clear shot of two men standing and talking, one in a white shirt holding a cup. Corner HUD metadata flickers and scrambles.
On-screen text: “BADGE 02 - 08:51”, “READER: FLOOR 3”, “STATUS: LISTENING”, “SUBJECT: BEN CERA”, “HEADCOUNT: 2”, “CAM 06 - 08:51”
Camera: Static
10 · Hook · 0:18–0:21
Grainy black-and-white surveillance-style shot of a kitchen, two figures standing, one holding a laptop. Scan lines and a vignette frame the image; a small monospace camera HUD (subject, headcount, status, cam and timestamp) sits in the corners. The locked-off frame holds with only subtle handheld shake.
Camera: Static
11 · Hook · 0:21–0:21
A grainy black-and-white security camera view of a kitchen shows two men standing, one holding a mug, under a heavy scanline glitch. A static HUD overlay lists subject, headcount and status in the top left and a camera code in the bottom right.
On-screen text: “SUBJECT: BEN_CERA”, “HEADCOUNT: 2”, “STATUS: LISTENING”, “CAM 06 - 08:51”
Camera: Static
12 · Problem · 0:21–0:24
A grainy black-and-white surveillance-style shot frames a man in a white t-shirt standing in a sunlit room. The image flickers with horizontal static and pixel noise, then clears to show his face. Small HUD labels sit in the corners.
On-screen text: “SUBJECT: BEN_CERA”, “STATUS: LISTENING”, “CAM 06 - 08:51”
Camera: Static
13 · Problem · 0:24–0:27
A bearded man in a white graphic t-shirt stands facing the camera in a grainy, high-contrast black-and-white frame styled like a surveillance feed, with a halftone texture and a small timestamp in the corner. He blinks and shifts slightly while the locked-off shot holds.
On-screen text: “CAM 06 - 08:52”
Camera: Static
14 · Problem · 0:27–0:30
A grainy black-and-white surveillance shot of a man in a white t-shirt standing behind a bar counter, holding a cup. A monospaced HUD overlay sits in the corners. The frame is locked off and flickers with horizontal scanline glitches.
On-screen text: “SUBJECT: BEN_CERA”, “STATUS: COMELSLE”, “FARLARNTIEN LIRTT”, “CAM 06 - 08:51”
Camera: Static
15 · Problem · 0:30–0:30
Black-and-white surveillance-style footage of a man in a white T-shirt talking to a second person in a bar. Heavy grain and horizontal glitch tears ripple across the frame while small HUD labels sit in the corners. The camera is locked off.
On-screen text: “CAM 06 - 08:51”, “SUBJECT: BEN_CERA”, “STATUS: COMELSLE”, “0.4 DAYS”
Camera: Static
16 · Problem · 0:30–0:31
A black-and-white corridor with arches is shown through a heavy digital glitch, with horizontal tearing, pixel blocks and scan lines. Two figures walk through the space while a HUD overlay sits in the top-left and a days counter ticks up in the bottom-right corner.
On-screen text: “BEHTND”, “0.4 DAYS”, “1.8 DAYS”
Camera: Static
17 · Problem · 0:31–0:31
A static, grainy black and white shot shows a man in a white t-shirt hunched over a table, the image split by horizontal glitch bands. A small label sits top left and a timestamp reads bottom right.
On-screen text: “BEHTND”, “1.8 DAYS”
Camera: Static
18 · Problem · 0:31–0:32
Grainy black-and-white archival footage of a man walking toward the camera past a parked van, torn by horizontal glitch bars and scan-line noise. A monospace HUD sits in the top-left corner and a days counter ticks down in the bottom-right.
On-screen text: “REWIND”, “SOURCE: POLAIA ARCHIVE”, “SPEED: x4”, “2.8 DAYS”, “2.6 DAYS”, “2.1 DAYS”
Camera: Static
19 · Problem · 0:32–0:32
Grainy black-and-white interior shot of a man sitting in the back of a car, holding a phone, with a city skyline through the rear window. A hard case rests in the foreground. Small corner text reads SOURCE: POLAIA ARCHIVE and a countdown 2.1 DAYS.
On-screen text: “SOURCE: POLAIA ARCHIVE”, “2.1 DAYS”
Camera: Push in
20 · Problem · 0:32–0:33
A grainy black-and-white surveillance frame shows a man in a white shirt and shorts standing at the open side door of a white van beside water. Fixed HUD text sits in the top left and a days counter sits bottom right.
On-screen text: “SOHIRCE POLSTA ARCHIVE”, “SPFED”, “2.1 DAYS”
Camera: Push in
21 · Problem · 0:33–0:34
A grainy, black-and-white shot of a man in a white shirt. The footage is heavily distorted with static and glitch effects. It cuts from a wide shot of him standing in a room to a close-up of his arm.
On-screen text: “SOHIRCE POLSTA ARCHIVE”, “SPFED”, “2.1 DAYS”, “4.4 DAYS”
Camera: Push in
22 · Problem · 0:34–0:34
Grainy black-and-white footage cuts from a man in a cap walking away down a bright corridor to a bearded man standing beside a phone mounted on a tripod. Static corner labels read SPFED and 4.4 DAYS over the handheld-style shots.
On-screen text: “SPFED”, “4.4 DAYS”
Camera: Static
23 · Problem · 0:34–0:35
Grainy black-and-white footage shows a man in a cap on a moving boat, leaning on the railing toward rocky headlands. The shot cuts to a close-up as he lifts and adjusts his cap. A small caption reads 4.4 DAYS.
On-screen text: “4.4 DAYS”
Camera: Push in
24 · Problem · 0:35–0:35
A grainy black-and-white close-up of a man's face, distorted with scan-line glitches, cuts to a top-down aerial shot of a man sitting in a pool. Heavy noise and high contrast give the footage a degraded look. A small counter reading 6.0 DAYS sits in the lower right corner.
On-screen text: “6.0 DAYS”
Camera: Static
25 · Problem · 0:35–0:36
A high-contrast glitch of torn white shapes flashes on black, then the frame locks to a black static texture. The thin white serif words SOLO FOUNDER appear centered and hold.
On-screen text: “SOLO FOUNDER”
Camera: Static
26 · Problem · 0:36–0:38
A white serif title SOLO FOUNDER glitches into view on a black textured field, the last letter resolving from a ghost. The title then shrinks toward center as monospace archive metadata and a small podcast clip fade in at the edges.
On-screen text: “SOLO FOUNDER”, “SUBJECT: BEN CERA”, ““SOLO FOUNDER”: 41/41”, “SOURCE: PODCASTS”, “ARCHIVE - 7 DAYS AGO”
Techniques: Kinetic type
Camera: Static
27 · Problem · 0:38–0:42
A black-and-white mosaic of podcast thumbnails assembles on a black field, tiles fading in to fill the grid, all covered in static grain. A small label sits top left and a timestamp bottom right.
On-screen text: “SUBJECT: BEN CERA”, “'SOLO FOUNDER': 41/41”, “SOURCE: PODCASTS”, “ARCHIVE - 7 DAYS AGO”
Camera: Static
28 · Problem · 0:42–0:43
A wall of black-and-white halftone podcast thumbnails fills the frame in a tight grid, each tile showing a founder or a headline. Thin white captions sit in the top-left and bottom-right corners. The grid holds still while the voiceover plays.
On-screen text: “SUBJECT: BEN CERA”, “SOLO-FOUNDER: ALL-IN”, “SOURCES: PODCASTS”, “ARCHIVE - 7 DAYS AGO”
Camera: Static
29 · Demo · 0:43–0:45
A grainy, black-and-white shot of an empty office with rows of desks and monitors fades in from black, revealing the quiet workspace.
Camera: Static
30 · Demo · 0:45–0:46
A high-angle, black-and-white shot of an empty room with rows of desks and computer monitors. The scene features heavy film grain and a static framing.
Camera: Static
31 · Demo · 0:46–0:49
A dark, grainy night-vision view of a dim room sits still with small monospace text in the corners, then the image breaks into white static and horizontal glitch lines.
Camera: Static
32 · Demo · 0:49–0:50
A grainy black-and-white halftone image shows a view through an oval airplane window: a wing stretches to the horizon over a tarmac lined with parked planes. The frame stays locked and still while static HUD text reads in the corners.
On-screen text: “SUBJECT: BEN CERA”, “SF0 > 5J0”, “BOMKIN RY PULSTA”, “SEAT 14A - 06:58”
Camera: Static
33 · Demo · 0:50–0:54
A grainy black-and-white surveillance view of a room, washed out in high contrast with horizontal scan lines and heavy noise. The locked-off frame flickers from near-black to a bright, distorted interior showing a circular object on the floor and a dark mass at right, with corner HUD labels.
On-screen text: “SUBJECT: BEN CERA”, “SF0 > 5J0”, “SEAT 14A - 06:58”, “XRAT 03 - 05 48”
Camera: Static
34 · Demo · 0:54–0:55
Grainy black-and-white footage of a man in a plaid shirt standing beside a phone mounted on a tripod, overlaid with scanlines and static. A dark panel slides in from the right carrying the word HIRE and a status line, while a small camera timecode sits in the top-left corner.
On-screen text: “1618”, “HIRE”
Techniques: Kinetic type, Split screen
Camera: Pan
35 · Demo · 0:55–0:57
A split frame holds a grainy, scanline-distorted man walking down a dim corridor on the left while the right stays black. The word HIRE slides into the center as small status labels lock at the top and bottom.
On-screen text: “HIRE”, “STATUS: SOLO”, “STATUS /// SOLO”
Techniques: Split screen
Camera: Static
36 · Demo · 0:57–0:59
Split frame: a grainy black-and-white hallway with heavy static fills the left, a black noise field the right. On the right, HIRE carries a strikethrough line, then shrinks as CONTRACT types in below with a block cursor; small labels read STATUS: SOLO and STATIC /// SOLO.
On-screen text: “STATUS: SOLO”, “HIRE”, “STATIC /// SOLO”, “CONTRACT”
Techniques: Split screen, Kinetic type
Camera: Static
37 · Demo · 0:59–1:00
Black-and-white behind-the-scenes footage split into two vertical panels. Left shows a shirtless man gesturing by a pool with lounge chairs and palm trees, filmed by a camera operator; right shows a wall with a metal gate. A scanline glitch clears in the first half second.
On-screen text: “CAM 07 16 14”, “BEFORE / INFRA”
Techniques: Split screen
Camera: Static
38 · Demo · 1:00–1:01
A grainy black-and-white split screen: left, a shirtless man stands in a pool holding up a phone while another person films him with a gimbal; right, a tall rectangular box with a column of horizontal slats angles in 3D perspective. A vertical line divides the panels.
Techniques: Split screen
Camera: Static
39 · Demo · 1:01–1:03
A split screen of grainy black-and-white footage with horizontal scanlines. On the left, a person at a pool holds up a phone while another steadies a gimbal. On the right, a person sits at a desk working on a laptop. A vertical bar divides the two halves.
Techniques: Split screen
Camera: Static
40 · Demo · 1:03–1:03
A grainy black-and-white split screen shows two scenes at once: on the left, a person by a pool holds up a phone while another films with a gimbal; on the right, a person sits at a desk facing a monitor.
Techniques: Split screen
Camera: Static
41 · Demo · 1:03–1:04
Black-and-white static noise flickers across the frame, then tears into a distorted, high-contrast image of a person seated at a table in a dim room. The shot is heavily glitched with horizontal displacement and pixelation throughout.
Camera: Static
42 · Demo · 1:04–1:05
A grainy black-and-white split screen shows two surveillance-style views at once. On the left, a top-down shot of a doorway with a figure walking past it. On the right, a person sits at a desk with three monitors in a dim office.
Techniques: Split screen
Camera: Static
43 · Demo · 1:05–1:07
A grainy black-and-white split screen holds two shots: a swimmer laps a pool ringed by seated figures on the left, a man works at a desk with a monitor on the right. A large number scales in over the footage.
On-screen text: “3”
Techniques: Split screen
Camera: Static
44 · Demo · 1:07–1:09
A grainy black-and-white split screen: an aerial road cuts through open terrain on the left while a messaging app conversation between Ben and Ilán fills the right. A large numeral 3 scales in over the locked frame.
On-screen text: “3”
Techniques: Split screen
Camera: Static
45 · Demo · 1:09–1:10
Left half: a grainy monochrome aerial shot glides down a straight desert road. Right half: a Slack direct message thread where Ilan's reply, 'I can put three on it Monday,' types in below the existing messages.
Techniques: Split screen
Camera: Static
46 · Demo · 1:10–1:12
A split screen pairs a grainy black-and-white road on the left with a dark chat interface on the right, where Ben Cera requests engineers and Ilan replies he can put three on it Monday. A typing indicator appears below.
Techniques: Split screen
Camera: Static
47 · Demo · 1:12–1:13
A grainy black-and-white split screen shows a desolate road receding into the distance on the left and a Slack conversation between Ben Cera and Ilan on the right, the exchange ending with “Four. Monday.” Heavy static noise overlays both halves throughout the short clip.
Techniques: Split screen
Camera: Static
48 · Demo · 1:13–1:15
A vertical line splits the frame into two grainy black-and-white clips: on the left a man in camouflage and a cap reclines, on the right a man in a dark jacket and cap stands, both jittering under horizontal static bars.
Techniques: Split screen
Camera: Static
49 · Demo · 1:15–1:18
A grainy black-and-white split screen holds two static shots of a living room. On the left, a man in a white cap sits on a patterned couch, head down on a phone. On the right, a man in a dark shirt stands, also looking at a phone.
Techniques: Split screen
Camera: Static
50 · Demo · 1:18–1:19
A split screen of two grainy black and white shots. On the left, a man in a printed cap lies on a patterned bed. On the right, a man in a dark room looks down at his hands. The frame is locked off with a halftone texture.
Techniques: Split screen
Camera: Static
51 · Demo · 1:19–1:21
Grainy black-and-white split screen with a dithered, halftone texture. Left: a person at a table works with paper. Right: overhead view of hands sketching a small square smiley-face logo, with a sheet of repeated logo marks beside it. The frame is locked off.
On-screen text: “Jolzis”
Techniques: Split screen
Camera: Static
52 · Demo · 1:21–1:23
A grainy black and white split screen. On the left, a man with glasses sits at a table, gesturing as he speaks to another person. On the right, an overhead view shows hands drawing a small square face with a pen, beside sheets filled with grids of similar doodles.
Techniques: Split screen
Camera: Static
53 · Demo · 1:23–1:24
Grainy black-and-white footage with horizontal scan lines and a vertical split. Left, a man sits at a table, arms crossed, facing the camera. Right, a hand holds a phone whose screen shows a short message. The image flickers and distorts.
Techniques: Split screen
Camera: Static
54 · Demo · 1:24–1:27
A monochrome halftone split screen shows a man seated at a table on the left, working on a device, while a hand holds a smartphone on the right, its screen showing a small banner. The footage holds steady with slight handheld motion.
Techniques: Split screen
Camera: Static
55 · Demo · 1:27–1:30
A grainy black-and-white split screen: on the left a man sits at an outdoor cafe table, on the right a hand holds a phone showing a text thread. A second message bubble appears in the chat. The whole frame keeps a halftone print texture, and the camera stays static.
Techniques: Split screen
Camera: Static
56 · Demo · 1:30–1:30
A halftone grayscale split screen holds two filmed panels side by side: on the left a person sits at an outdoor table with a cup, on the right a hand holds a smartphone whose screen shows a short line of text.
Techniques: Split screen
Camera: Static
57 · Demo · 1:30–1:31
A burst of black-and-white TV static cuts to a grainy, halftone surveillance-style frame of a white sedan and a rider on a motorcycle on a road, split by a vertical black line and a thick horizontal bar.
On-screen text: “0”
Camera: Static
58 · Demo · 1:31–1:31
A grainy grayscale split screen holds two static views: a top-down shot of a kayak on open water on the left, and a white car with a roof sensor driving along a road on the right.
On-screen text: “0”
Techniques: Split screen
Camera: Static
59 · Demo · 1:31–1:32
A grainy monochrome split screen: on the left, an aerial shot of a person paddling a white kayak across open water; on the right, a white SUV with a roof sensor pod drives down a palm-lined street. A large numeral 0 stays locked on screen.
On-screen text: “0”
Techniques: Split screen
Camera: Static
60 · Demo · 1:32–1:34
A grainy black-and-white split screen holds two top-down shots side by side: a person paddling a kayak on choppy water on the left, a white SUV driving along a street on the right. The frame stays locked while both subjects drift through.
On-screen text: “0”
Techniques: Split screen
Camera: Static
61 · Demo · 1:34–1:35
A black-and-white, grainy shot of a crouching figure and a car is sliced by horizontal black bars. The image flickers and darkens over the half second, the shapes barely legible beneath the scan-line distortion.
Camera: Static
62 · Demo · 1:35–1:35
A monochrome split-screen shows a figure on a wall at left and an empty street with a manhole at right. Heavy grain, scan lines and a glitch burst tear the image into horizontal strips, then settle into a cleaner view.
Techniques: Split screen
Camera: Static
63 · Demo · 1:35–1:38
Grainy black-and-white split screen of two live-action shots. Left: a man in a white tank top walks through a field holding a device to his face. Right: the camera pushes down a street past a building and a short post in the foreground.
Techniques: Split screen
Camera: Push in
64 · Demo · 1:38–1:40
Grainy black-and-white footage of a man with glasses and a white scarf looks down at a small dark device in his hand. The image flickers between a clear frame and heavy horizontal scan-line distortion at the start and end.
Camera: Static
65 · Demo · 1:40–1:41
Grainy black-and-white footage holds on a vertical divider: left, a face in sunglasses peers through an oval porthole; right, a bespectacled man in a pale scarf sits in a seat, head down on a phone. The frame stays static.
Camera: Static
66 · Demo · 1:41–1:42
Grainy black-and-white footage of a bespectacled man in a white scarf looking down at a phone, framed beside a wall holding an oval mirror with a dark star shape. The camera holds a locked-off split composition while his head dips slightly.
Camera: Static
67 · Demo · 1:42–1:43
A grainy black-and-white split frame holds still. Left: a door with a small oval window, a figure in a white dress visible inside. Right: a man with glasses and a white scarf looks down at a phone. A large numeral 0 is revealed over the image.
On-screen text: “0”
Techniques: Split screen
Camera: Static
68 · Demo · 1:43–1:44
Black-and-white footage of a bespectacled man with a light scarf seated in an airplane cabin, looking down at a phone held in both hands. The frame stays locked off as he reads the screen, with an oval window shape on the wall to the left.
Camera: Static
69 · Demo · 1:44–1:45
A grainy black-and-white shot of a bespectacled man with a white scarf holds a phone, then the frame tears into horizontal glitch bands and dissolves into static. A small HUD of dates and counters flashes over the noise as the image collapses.
On-screen text: “MIRROR”, “15/02”, “TEAM: 11”, “BEN: TAN”, “406 MESSAGES”, “2 CONTRACTS”, “9 INVOICES”
Camera: Static
70 · Demo · 1:45–1:48
Split screen: left, a grainy black-and-white shot of a shirtless man facing a mirror; right, a dark panel where a numbered list of names types in line by line from 01 to 08, with 'TEAM: 11' at the top and 'TEAM /// 08' at the bottom.
On-screen text: “MIRROR 15/82”, “TEAM: 11 / BEN: 31C”, “TEAM /// 08”, “01 MATHIEU LEBRETON”, “02 JEDDI MEES”, “03 BASTIEN BOYMOND”, “04 DIOGO FARIA MARTINS”, “05 HUGO NINI”, “06 MATTEO DENEGRI”, “07 MATTHIEU”
Techniques: Split screen, Kinetic type
Camera: Static
71 · Demo · 1:48–1:49
Split screen: left, a grainy black-and-white shot of a shirtless man holding a cup in a bathroom; right, a numbered roster of eight names in white monospace on black, with small HUD labels in the corners.
On-screen text: “MIRROR 19:02”, “TEAM 11”, “BEN 31C”, “01 MATHIEU LEBRETON”, “02 JEDDI MEES”, “03 BASTIEN BOYMOND”, “04 DIEGO FARIA MARTINS”, “05 HUGO NINI”, “06 MATTEO DENEGRI”, “07 MATTHIEU', '08 NIKITA DMITRIEFF' is wrong, fix”
Techniques: Split screen
Camera: Static
72 · Demo · 1:49–1:51
A grainy black-and-white split screen shows two surveillance-style shots: left, a man in a hat walks along a beach railing; right, a person in a dark jacket leans over a white desk handling a box. Horizontal scan lines flicker across both frames.
Techniques: Split screen
Camera: Static
73 · Demo · 1:51–1:52
Grainy black-and-white split screen of two live-action shots. Left: a man in a hat and patterned shirt on a boat deck by the water. Right: a man in a suit leans over a white counter, phone to his ear, beside a box.
Techniques: Split screen
Camera: Static
74 · Demo · 1:52–1:54
A monochrome halftone split screen shows two scenes side by side. On the left, a man in a hat and floral shirt leans on a railing above the sea. On the right, a person with a backpack lifts a box from a white desk and walks away.
Techniques: Split screen
Camera: Static
75 · Demo · 1:54–1:55
A black and white halftone split screen shows a person by a rocky shore on the left and a person with a backpack in a white room on the right. The frames then tear into horizontal glitch bands that slice both images.
Techniques: Split screen
Camera: Static
76 · Demo · 1:55–1:57
A horizontal-line glitch distorts a flat split layout, then clears to reveal a black-and-white photo of a person at a lakeside railing on the left and a contract document headed Engagement Letter on the right.
Techniques: Split screen
Camera: Static
77 · Demo · 1:57–1:59
A grainy black-and-white split screen shows a man at a seaside railing on the left and a scrolling paper document on the right. The document scrolls from an engagement letter to an invoice, settling on a close-up of the signature and the total line.
Techniques: Split screen
Camera: Static
78 · Demo · 1:59–2:00
A man in a dark t-shirt and white cap stands with his back to camera, facing a wall where a services agreement is posted, signed by Ben. Heavy black-and-white glitch and static ripple across the frame, with a horizontal tear line cutting the image.
Camera: Static
79 · Demo · 2:00–2:02
A grainy high-contrast black-and-white split screen. Left, a man in a hat and dark tee walks away down a hallway. Right, a paper document changes from a contract header to a purchase order showing a handwritten total and signature.
Techniques: Split screen
Camera: Static
80 · Demo · 2:02–2:04
A grainy monochrome, surveillance-style shot shows a bright sunrise through a curved airplane window, with horizontal glitch lines flickering across the frame. Monospace metadata text stays locked in the top-left and bottom-right corners.
On-screen text: “SUBJECT: BEN CERA”, “SJD -> SPO”, “LIKES: 12 204 1 POLSIA”, “SEAT 14A - 06:41”
Camera: Static
81 · Demo · 2:04–2:06
A grainy black-and-white shot frames an airplane window where a silhouetted figure holds a phone against a bright sunrise. A security-style HUD with monospace telemetry text sits in the corners. The camera is locked off; only the grain flickers and the silhouette shifts slightly.
On-screen text: “SUBJECT: BEN CERA”, “SJD> SFO”, “IKES: 12 204 1 POLSI”, “SEAT 14A - 06:41”
Camera: Static
82 · Demo · 2:06–2:09
A grainy black-and-white in-flight view shows a hand holding a phone against the airplane window, the bright horizon glowing outside, as the phone tilts in the grip. Small monospace HUD labels sit fixed in the top-left and bottom-right corners.
On-screen text: “SUBJECT: BEN_CERA”, “SJD> SFO”, “IKES: 12 204 1 POLSI”, “SEAT 14A - 06:41”
Camera: Static
83 · Social proof · 2:09–2:11
A grainy white mask with two round eyes and a triangular nose sits inside a dashed square, HUD text in the corners. It clears into a dotted face on black, then the dots and frame scatter apart.
On-screen text: “SEAT 14A - 06:41”, “POLSIA”, “MON 08:52”, “RESUMING”, “CAM 07 - 08:52”
Techniques: Morph, Particles
Camera: Static
84 · Social proof · 2:11–2:15
A grainy monochrome CCTV frame holds a sunlit hallway where a man in a white T-shirt and shorts faces a person in a dark shirt; the man gestures with both hands while the other reaches out an arm. The locked-off shot keeps the camera feed overlay in the corners.
Camera: Static
85 · Social proof · 2:15–2:16
A grainy black-and-white security-camera shot of a bright hallway, locked off. A woman in a dark top reaches her hand toward a man in a white t-shirt and shorts who stands facing her. The dithered, high-contrast frame carries a static timestamp in the corner.
On-screen text: “CAM 07 - 08:52”
Camera: Static
86 · Social proof · 2:16–2:17
A low-angle, black-and-white shot of two figures standing on a glossy floor, heavily distorted by a horizontal scanline glitch effect. The scene is framed like a corrupted surveillance feed with static text overlays in the corners.
On-screen text: “ROOMBA 02”, “FLOOR 08:52”
Camera: Static
87 · Social proof · 2:17–2:18
Grainy black-and-white low-angle shot at floor level, locked off. Two figures stand facing each other, one in dark trousers, one in a light skirt, hands meeting between them. Their reflections stretch across the glossy floor. A camera-style HUD reads in the corners.
On-screen text: “ROOMBA 02”, “OMUSHAKE”, “FLOOR 08:53”
Camera: Static
88 · Social proof · 2:18–2:20
A low-angle black-and-white shot holds on two pairs of legs and shoes standing on a glossy floor, a bright doorway behind them. Heavy film grain and a dark vignette frame the image, with small camera-style labels fixed in the top-left and bottom-right corners.
On-screen text: “ROOMBA 02”, “FLOOR 83:53”, “FLOOR GE 53”
Camera: Push in
89 · Social proof · 2:20–2:20
A black and white CCTV view of a man in a white shirt and shorts inside a barred hallway opens with a heavy horizontal glitch that snaps into a clear frame. The man shifts and grips a vertical pole. A static CAM 09 timestamp sits in the corner.
On-screen text: “CAM 09 - 08:55”
Camera: Static
90 · Social proof · 2:20–2:23
A grainy black-and-white security camera view, locked off, shows a man in a white shirt inside a glass-walled office. He raises an arm, then turns and pushes the glass door shut. The footage carries a static CAM 09 timestamp in the corner.
Camera: Static
91 · Social proof · 2:23–2:27
A grainy black-and-white security feed, shot from a low angle, shows a bearded man in a printed white t-shirt holding a dark phone. Horizontal scanlines and static flicker across the frame while a small HUD readout sits in the corners.
On-screen text: “FRONT CAM”, “08:55”
Camera: Static
92 · Social proof · 2:27–2:29
A black-and-white surveillance-style shot of a man's face and shoulders, heavily distorted with grain and halftone noise. He wears a printed t-shirt and stares toward the camera. A small FRONT CAM label sits in the bottom-right corner. The frame is locked off while the subject shifts slightly.
On-screen text: “FRONT CAM”
Camera: Static
93 · Social proof · 2:29–2:30
A monochrome feed crackles with static and horizontal tear lines, flickering between a dark vertical shape on a bright field and a grainy room with rows of desks and seated figures. A small corner label reads FRONT CAM as the image jitters and inverts.
Camera: Static
94 · Social proof · 2:30–2:33
A wide black-and-white shot of an open office rendered in a halftone dot texture. Several people sit at desks working on monitors, their reflections on the glossy floor. The camera drifts slowly forward through the room.
Camera: Push in
95 · Social proof · 2:33–2:35
A grainy black-and-white office set with people at desks is shown as a corrupted surveillance feed, heavy pixelation and static flicker across the frame. The view reframes from a wide shot to a closer angle through a window and railing. A monospace timestamp and camera label sit in the corners.
On-screen text: “FLOOR 3”, “STREET 14 - 09:02”
Camera: Static
96 · Social proof · 2:35–2:36
Grainy black-and-white surveillance footage of a person in a white shirt standing by a counter, locked-off high angle. The frame is washed with horizontal static lines and a flicker glitch that briefly blacks out the image before the figure reappears. Small HUD labels sit in the corners and center.
On-screen text: “SUBJECT: BEN CERA”, “CONTRACTORS: -11”, “AVG REPLY: 38 S”, “FLOOR 02 / BEN CERA”, “ROOM 01 / BEN CERA”, “CEILING CAM 11 - 11:14”
Camera: Static
97 · Social proof · 2:36–2:39
A grainy black-and-white security camera view, locked off, shows a person in a white shirt standing at a long counter in a dim room. White HUD text frames the shot: a project label and stats top left, a floor tag center, and a camera label bottom right.
On-screen text: “PROJECT BEN CERA”, “CONTRACTORS:-11”, “AVG REPLY: 38S”, “BEN CERA”, “FLOOR 01 / BEN CERA”, “CETLING CAM 11”
Camera: Static
98 · Social proof · 2:39–2:40
Grainy black-and-white security-camera footage from a high locked-off angle. A person in a white shirt sits on a low wall, seen from behind, while a phone rests on the floor. Static monospace camera labels sit in the corners.
Camera: Static
99 · Social proof · 2:40–2:44
A grid of grainy monochrome CCTV tiles fills the frame, each tile showing a man in a dim room. Static and horizontal scan lines flicker across the wall. Tiny monospace camera labels lock in the corners. The composition holds on a locked-off frame.
On-screen text: “CETLING CAM 11”, “CONFRAETORS.-11”, “AVG-REPLY 38 5”
Techniques: Split screen
Camera: Static
100 · Social proof · 2:44–2:48
Grainy black-and-white camera feed: a tripod-mounted camera in the foreground faces a row of people, each framed by a target bracket and a name label. A countdown digit in a central box ticks down, then the box becomes a shutter icon.
On-screen text: “2”, “1”
Camera: Static
101 · Social proof · 2:48–2:50
A grainy, halftone black-and-white camera view shows a blurred row of people, each tagged with a small contractor label above the head. A central focus bracket with corner marks, two focus points, a down arrow and a dial hovers over a tripod camera; the frame stays locked.
Camera: Static
102 · Outro · 2:50–2:52
A grainy black-and-white security feed holds a locked-off shot of a face-detection box framing a ghost face of two glowing eyes, a triangle and a circle, with status labels in the corners. The feed cuts to black, and the serif wordmark aisloP appears centered.
On-screen text: “CONTRACTOR”, “aisloP”
Camera: Static
103 · Outro · 2:52–2:56
On a black field, a scrambled serif wordmark de-glitches into “Polsia” beneath a square face icon of dots and a wavy line, with horizontal scanlines flickering across the frame. A small monospace caption then types out below the mark.
On-screen text: “Polsia”, “LOG ENTRY 02”
Techniques: Morph, Kinetic type
Camera: Static