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Pika - Lights. Camera. EVERYTHING. Pika Director’s Suite, our experimental
Pika · Jul 2026 · 1:52 · AI-annotated
- Length
- 1:52
- Scenes
- 61 · 1.8 s avg
- Product on screen
- 0:17
- Features shown
- 5
- Call to action
- 1:37 · 86%
- Voiceover
- Yes
00:00:00 / 01:52:18
Pika’s 1:52 launch film runs 61 scenes, about 1.8 s each. The product shows up at 0:17 and 5 features are revealed. The call to action lands at 1:37 (86% in), over a voiceover. A deadpan live-action skit dramatizes the pain of juggling many AI tools, then each product feature is revealed as the office dissolves into a bright white void where the user walks through and physically edits holographic timelines. The style is defined by hard cuts between live action, UI and 3D, recurring prismatic light flares, monospace captions and a heavy black sans-serif for headlines.
Footage neededEstimated needs: 5 capture groups — your screens or recordings · 1 official logo — reused across the film · 47 filmed passages — shoot, supply or replace · 2 3D passages — build or supply
Is this your launch? to your site or press kit.
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Pika - Lights. Camera. EVERYTHING. Pika Director’s Suite, our experimental, scene by scene
· 61 scenes as text
01 · Problem · 0:00–0:03
A man in a green shirt sits at a wooden desk in a Sasquatch-themed office, typing at three monitors, one showing a 3D Bigfoot render. A white curved 3D shape hovers at his lap, rotates and vanishes. The camera drifts slowly to the right.
On-screen text: “So I'm making a film about big foot's childhood”
Camera: Push in
02 · Problem · 0:03–0:04
A bearded man talks to the camera outdoors while a phone chat window showing a Bigfoot script is superimposed over his face, fading in and out. White subtitle captions appear along the bottom of the frame.
On-screen text: “EXPEDITION”, “So I'm making a film about big foot's childhood”, “This script is all wrong”
Techniques: Kinetic type
Camera: Static
03 · Problem · 0:04–0:05
A close-up of a mustached man in a dark shirt, lit from the side in a dim room, as he speaks and glances off to the right. A white subtitle line sits at the bottom of the frame. The shot is locked off with a shallow depth of field.
On-screen text: “This script is all wrong”
Camera: Static
04 · Problem · 0:05–0:06
A dark prompt panel shows a text field reading “generate a live action photo of bigfoot” above a Generate button. The cursor glides onto the button as the frame slowly zooms in, and a caption appears at the bottom.
On-screen text: “This script is all wrong”
Techniques: Cursor demo, UI zoom
Camera: Static
05 · Problem · 0:06–0:06
A monitor displays an animated brown Bigfoot with a scowling face and bared teeth, set against blue sky and pine trees, with a narrow UI panel on the right edge. A white caption reads “I said live-action” along the bottom.
On-screen text: “I said live-action”
Camera: Static
06 · Problem · 0:06–0:07
A man sits at a cluttered desk with three monitors showing a 3D animated Bigfoot in a forest. The camera cuts from a rear view to a front view as he turns in his chair. A white subtitle reads “I said live-action”.
On-screen text: “I said live-action”
Camera: Static
07 · Problem · 0:07–0:09
A bearded man sits at a desk crowded with monitors in a dim, poster-lined room. A hard cut lands on a tilted wall of Bigfoot creature thumbnails, each stamped with a red X. White subtitles carry the dialogue at the bottom.
On-screen text: “I said live-action”, “TOOT”, “2,000 generations!?”
Camera: Static
08 · Problem · 0:09–0:09
A curved CRT screen fills the frame with a grid of gorilla and Bigfoot thumbnails, each tile stamped with a red X in its corner. A white caption sits at the bottom center. The shot is locked off and static.
On-screen text: “2,000 generations!?”
Camera: Static
09 · Problem · 0:09–0:10
A locked-off screen shows a dense grid of small thumbnails, each a brown humanoid figure on a pale field with a red corner mark, inside a black curved monitor border. A small white monospace caption sits at the bottom center.
On-screen text: “2,000 generations!?”
Camera: Static
10 · Problem · 0:10–0:14
A bearded man in a beanie shouts to camera from a desk in a dim, warm-lit office. A fast whip pan swings around him to reveal a curved wall of dozens of monitors, each showing a Bigfoot figure on a map, as he sits facing them.
On-screen text: “2,000 generations!?”, “It's NOT ROCKET SCIENCE!”, “It's Big Foot's Childhood!”
Camera: Push in
11 · Problem · 0:14–0:17
A near-black textured background holds two centered lines of white text that stay locked in place for the full clip.
On-screen text: “Stop explaining your film idea”, “to 30 different programs”
Camera: Static
12 · Product intro · 0:17–0:20
A wide shot of a cluttered study set with a Bigfoot bust, posters and books. An all-in-one computer on a white desk shows the Director's Suite welcome screen. The camera pushes in from the room to a close-up of the screen while the caption 'Hello James' holds at the bottom.
On-screen text: “Stop explaining your film idea”, “to 30 different programs”, “Hello James”
Techniques: UI zoom
Camera: Push in
13 · Product intro · 0:20–0:21
A mustached man in a worn green shirt sits at a desk in a home study, facing the camera over a blurred laptop lid. A white italic caption reads on the lid, then a small uppercase title scales in near the end. Static camera, shallow focus, soft daylight.
On-screen text: “Hello James”, “WELCOMETOTHE”, “DIRECTOR'S SUITE”
Techniques: Kinetic type
Camera: Static
14 · Product intro · 0:21–0:22
A close-up of a tablet shows a chat interface. A purple user bubble sits above a gray agent bubble whose text fades in line by line. Below, an empty input bar with a plus icon and send arrow holds the frame, and a small italic caption runs along the bottom.
On-screen text: “A film about Big Foot's childhood?”
Camera: Static
15 · Product intro · 0:22–0:24
A mustached man in an olive shirt sits in a study with a globe and framed photos, locked-off medium shot. He looks off-camera, his eyes widen and his mouth opens as he speaks. A white subtitle reads 'Amazing. Let's make it' at the bottom.
On-screen text: “Amazing. Let's make it”
Camera: Push in
16 · Product intro · 0:24–0:28
A pale lavender card holds a small 'INTRODUCING' pill badge. The heavy black headline 'DIRECTOR'S SUITE' pops in beneath it, then the tagline 'Gets your whole vision. Makes the full film.' builds up in two phrases below.
On-screen text: “INTRODUCING”, “DIRECTOR'S SUITE”, “Gets your whole vision. Makes the full film.”
Techniques: Kinetic type
Camera: Static
17 · Feature reveal · 0:28–0:30
A tilted close-up of a chat interface on a screen. A grey message bubble reads “Here's a first pass at the script.” while a previous bubble shows “make it.” A focus pull sharpens the text, and an italic caption echoes the line along the bottom.
On-screen text: “Here's a first pass at the script”
Camera: Static
18 · Feature reveal · 0:30–0:31
A mustached man in a green shirt sits at a laptop in a study with posters and a bust, speaking to camera as the frame pushes in on his face. A monospace caption at the bottom carries his line while a pill-shaped tagline fades in at the top right.
On-screen text: “Here's a first pass at the script”, “Scripts seamlessly from ideas”
Camera: Push in
19 · Feature reveal · 0:31–0:34
A tilted monitor in a dark room shows a script document. A purple tag and a heavy black title sit at the top while the body line types out word by word. A pale gray pill caption floats at the upper right.
On-screen text: “Scripts seamlessly from ideas”
Techniques: 3D mockup, Kinetic type
Camera: Static
20 · Feature reveal · 0:34–0:36
Extreme close-up of a mustached man, static, staring straight into the camera and speaking in a softly lit room. A white caption scales in at the bottom center, and a light gray pill tagline sits at the top right.
On-screen text: “Scripts seamlessly from ideas”, “All he wants is to be loved”
Camera: Static
21 · Feature reveal · 0:36–0:37
An extreme close-up of a brown eye holds on a static frame, the caption scaling in, then a hard cut to a man at a wooden desk typing on a white keyboard before an iMac, his mouth open in surprise.
On-screen text: “All he wants is to be loved”, “Scripts seamlessly from ideas”
Camera: Static
22 · Feature reveal · 0:37–0:40
A mustached man in an olive shirt sits at a wooden desk, hands on a white keyboard, eyes on a large white monitor. He speaks and types in a static medium shot. Shelves with animal figurines, a globe and a creature poster fill the background.
On-screen text: “I have in mind this kind of 70s, soft-focus with...”
Camera: Static
23 · Feature reveal · 0:40–0:43
A tilted laptop screen shows the Director's Suite workspace, where a 2x2 grid of gray placeholders fills with warm film stills of girls in forests and fields. A white pill label sits top right while a bottom subtitle line updates to describe the look.
On-screen text: “Pulls visual references”, “I have in mind this kind of 70s, soft-focus with”, “Warm lighting and a filmic grain texture”
Camera: Static
24 · Feature reveal · 0:43–0:45
An extreme close-up of a man's eyes and nose fills the frame in warm, grainy light, with a caption at the bottom. The shot cuts to a low-angle view of his face as he looks upward against a blurred interior.
On-screen text: “Warm lighting and a filmic grain texture”
Camera: Push in
25 · Feature reveal · 0:45–0:46
A low-angle close-up of a man with a dark mustache looks upward, his face lit by soft daylight. A dark horizontal bar crosses the top of the frame, and the bright background stays out of focus. The subtitle It's perfect! sits at the bottom.
On-screen text: “It's perfect!”
Camera: Static
26 · Feature reveal · 0:46–0:47
A man viewed from behind sits at a wooden desk, facing an iMac showing a six-image grid of children playing in a field. Bright daylight streams through the window; a bookshelf with a BIGFOOT plaque fills the right edge. White captions appear at the bottom.
On-screen text: “It's perfect!”, “References locked - Let's make some key frames”
Camera: Static
27 · Feature reveal · 0:47–0:49
A man sits at a wooden desk in a cluttered home office, seen from behind, facing an iMac showing a grid of Bigfoot reference photos. Golden sparkles swirl up around the desk as the room begins to dissolve. A caption sits at the bottom.
On-screen text: “References locked - Let's make some key frames”
Techniques: Particles
Camera: Static
28 · Feature reveal · 0:49–0:51
A man in a grey shirt sits on a black office chair with his back to camera in a cluttered room. The window glass shatters outward in a burst of shards while golden particles swirl around him as he stands and turns.
Techniques: Particles
Camera: Push in
29 · Feature reveal · 0:51–0:53
A man in a dark green shirt stands in a bright white void, gazing at floating glass panels and a bonsai tree on a hovering rock. Drifting photo cards and paper fragments fill the air as rainbow light leaks streak across the frame.
On-screen text: “Consistent cast, location, and props”
Techniques: 3D mockup, Particles
Camera: Push in
30 · Feature reveal · 0:53–1:00
A man walks through a white void of floating glass slabs playing clips of an ape and a tree, tagged with glass pills reading Characters and Props. He presses his hand to a slab showing an ape on a swing as the camera pushes in on his face.
On-screen text: “Consistent cast, location, and props”, “It's you”, “It's really you”, “Alright, time to generate the clips”
Techniques: 3D mockup, Parallax
Camera: Push in
31 · Feature reveal · 1:00–1:01
A person in a dark shirt holds both arms raised in a white misty void, framed by floating photo cards. A bright flash bursts behind them and the cards scatter outward while the figure stays centered.
On-screen text: “Alright, time to generate the clips”
Techniques: Particles
Camera: Pull out
32 · Feature reveal · 1:01–1:02
A man in a green shirt leaps into a desk chair in a home office, landing with a bounce. The room is lined with bookshelves, framed photos, a bust and a globe, and a monitor behind him displays a misty forest image.
On-screen text: “Alright, time to generate the clips”
Camera: Pan
33 · Feature reveal · 1:02–1:02
A man in a green shirt and dark pants sits in a black office chair with legs crossed, low-angle shot in a home office with a wooden desk and bookshelf to the left. He shifts and turns his head as the subtitle sits at the bottom.
On-screen text: “Alright, time to generate the clips”
Camera: Static
34 · Feature reveal · 1:02–1:03
A person sits at a wooden desk seen from behind, facing a monitor showing a grid of reference photos in a Director's Suite interface. The study is lit by a bright window, with a globe, framed posters and a Bigfoot bust on the shelves. A typewriter caption sits below.
On-screen text: “Alright, time to generate the clips”
Camera: Static
35 · Feature reveal · 1:03–1:08
A man with a mustache sits in a sunlit room, gazing upward, as the camera slowly pushes in from a medium shot to an extreme close-up of his eye, which snaps open. A caption stays fixed at the bottom throughout.
On-screen text: “Only 20,000 generations and 400 hours to go..”
Camera: Push in
36 · Feature reveal · 1:08–1:09
A man sits at a desk facing a monitor, back to camera, in a photo-covered room with a bust and poster. The room dissolves into a bright glow, its edges turning into glowing wireframe lines and rainbow prismatic arcs, while the figure and desk hold their position.
On-screen text: “Direct-to-timeline generation”, “Clips are already in your timeline”
Techniques: Light sweep
Camera: Static
37 · Feature reveal · 1:09–1:10
A man in a green shirt sits at a wooden desk facing a blinding white light ringed by rainbow prism flares. He rises from his chair as the glow brightens. The foggy room is outlined by thin glowing lines on the walls and floor.
On-screen text: “Direct-to-timeline generation”, “Clips are already in your timeline”
Camera: Pull out
38 · Feature reveal · 1:10–1:11
A man in an olive shirt walks away from camera into bright white fog, framed by prismatic rainbow light streaks. A faint horizontal timeline grid fades in behind him. Two captions stay locked on screen.
On-screen text: “Direct-to-timeline generation”, “Clips are already in your timeline”
Camera: Static
39 · Feature reveal · 1:11–1:11
A man in a green shirt and dark jeans stands with his back to the camera in a foggy white room, facing a wide floating editing timeline. Prismatic rainbow light streaks fill the air. He takes a slow step forward.
On-screen text: “Direct-to-timeline generation”
Techniques: 3D mockup
Camera: Static
40 · Feature reveal · 1:11–1:15
A mustached man looks up with wide eyes and an open mouth against a bright white backdrop streaked with rainbow light. He lifts his hand toward the lens. A gray pill caption sits in the top right.
On-screen text: “Direct-to-timeline generation”
Camera: Pull out
41 · Feature reveal · 1:15–1:16
A man in an olive jacket stands before a glowing editing timeline that recedes into a white void, his hand reaching toward the clip tracks as if rearranging them. Rainbow lens flares ring the frame while the timecode ruler and audio waveforms stay still.
On-screen text: “Direct-to-timeline generation”
Techniques: 3D mockup
Camera: Pull out
42 · Feature reveal · 1:16–1:17
A mustached man in a green shirt stands in a hazy white space beside a 3D wall of video clips, gesturing toward it. The view then cuts to a closer 3D perspective of the clip grid, audio waveforms below, with a hand cursor on the right.
On-screen text: “All-in-one SFX and GFX”, “What if we rearranged these two?”
Techniques: 3D mockup, UI zoom, Cursor demo
Camera: Static
43 · Feature reveal · 1:17–1:18
A light grid of video thumbnails sits in perspective, with a waveform along the bottom. A hand reaches in, points at a clip, then lifts it, adding blue selection handles. A label sits top right and a caption reads at the bottom.
On-screen text: “All-in-one SFX and GFX”, “What if we rearranged these two?”
Techniques: 3D mockup
Camera: Static
44 · Feature reveal · 1:18–1:19
A mustached man in an olive jacket speaks to camera against a hazy white wall with a vertical light bar and rainbow flares. A pale caption pill sits at the top right while a smaller caption appears at the bottom.
On-screen text: “All-in-one SFX and GFX”, “What if we rearranged these two?”
Camera: Static
45 · Feature reveal · 1:19–1:20
A mustached man in profile points at a giant angled editing timeline packed with clip thumbnails and audio waveforms. Rainbow lens flares streak diagonally across the frame. A gray pill label and a monospace caption sit at the top and bottom edges.
On-screen text: “All-in-one SFX and GFX”, “Let's cut this scene”
Techniques: 3D mockup
Camera: Pull out
46 · Feature reveal · 1:20–1:20
A wide angled view of a giant editing timeline wall, streaked with rainbow lens flares, a person's arm at the right edge. It cuts to a mustached man in a black shirt, centered, with floating film-strip and waveform panels behind him.
On-screen text: “All-in-one SFX and GFX”, “Let's cut this scene”
Techniques: 3D mockup
Camera: Static
47 · Feature reveal · 1:20–1:21
A mustached man in a dark jacket speaks to camera against a bright white backdrop with rainbow lens flares. A video-editor overlay of filmstrip thumbnails, a vertical playhead, a tick ruler and an audio waveform is composited across his chest. The frame is locked off.
On-screen text: “All-in-one SFX and GFX”, “Could we add music?”
Camera: Static
48 · Feature reveal · 1:21–1:24
A mustached man in a dark shirt and olive jacket stands in a bright white space filled with rainbow lens flares, reaching out to a floating holographic film timeline with frames and a waveform. The timeline then vanishes and he looks up as the camera tilts.
On-screen text: “All-in-one SFX and GFX”, “Could we add music?”
Techniques: 3D mockup
Camera: Push in
49 · Feature reveal · 1:24–1:25
A home-office set with a wooden desk, monitor and bright window fades in from a white overexposure. A young man in a dark T-shirt sits into the black chair facing the screen.
On-screen text: “All-in-one SFX and GFX”
Camera: Push in
50 · Feature reveal · 1:25–1:26
A mustached man talks to camera in a sunlit room as an editing timeline with clip thumbnails, a ruler and an audio waveform overlays the lower third, a vertical playhead holds the center, and rainbow prism flares sweep the corners.
Techniques: Light sweep
Camera: Static
51 · Demo · 1:26–1:28
A person sits on a swing in a grassy field, backlit by a low sun blazing through the trees. Out-of-focus dark foliage fills the foreground, framing the small figure. The locked-off shot holds in warm golden light.
On-screen text: “BIGFOO”
Camera: Push in
52 · Demo · 1:28–1:28
A young CGI gorilla sits on a chain swing, gripping both chains with its hands and looking at the camera with a faint smile. The swing sways slowly against a blurred backdrop of trees and grass in warm sunset light.
Camera: Static
53 · Demo · 1:28–1:31
A low-angle shot frames a furry child on a swing set in a sunlit yard. The figure crouches, snatches a butterfly net from the grass and swings it overhead, ending as a backlit silhouette against the sunset. Warm grade, heavy vignette and grain give a vintage film look.
Camera: Static
54 · Demo · 1:31–1:34
A mustached man leans into a locked-off camera in a room with posters and a bust, rainbow lens flares streaking the frame. A video editing timeline of film-strip thumbnails, a ruler, a waveform and a center playhead runs across the lower third as captions appear at the bottom.
On-screen text: “This is perfect!”, “But”, “How about some titles?”
Camera: Static
55 · Demo · 1:34–1:36
A black-and-white portrait of a smiling man fills the frame, with an editor timeline and audio waveform graphic across the lower third. The title MADE BY Pika Director's Suite animates in over his face in a large white script.
On-screen text: “MADE BY”, “Pika”, “Director's”, “Suite”
Techniques: Kinetic type
Camera: Static
56 · Demo · 1:36–1:37
A black-and-white close-up of a smiling man fills the frame. White script text reading Pika Director's Suite overlays his face, with MADE BY in small caps at top left. A film timeline strip with a vertical playhead and waveform runs along the bottom edge. The frame is locked off.
On-screen text: “MADE BY”, “Pika”, “Director's”, “Suite”
Camera: Static
57 · CTA · 1:37–1:38
A flat lavender field holds a centered black sans-serif line reading “Sign up now for Early Access”. A small white monospace caption in a dark box, “Mom. My film. It's finally finished”, appears at the bottom.
On-screen text: “Sign up now for Early Access”, “Mom. My film. It's finally finished”
Camera: Static
58 · CTA · 1:38–1:41
A mustached man in an olive shirt holds a phone to his ear, gazing at a desktop monitor that displays a misty pine forest. The warm room holds shelves, a bust and framed posters. A white monospace caption sits at the bottom.
On-screen text: “Mom. My film. It's finally finished”, “Sign up now for Early Access”
Camera: Static
59 · Other · 1:41–1:45
A man in a green shirt sits at a wooden desk, back to camera, watching a desktop monitor that shows a furry Bigfoot creature. The sunlit study holds a Bigfoot bust, vintage posters and a globe. He turns his head as white subtitles appear at the bottom.
On-screen text: “Mom. My film. It's finally finished”, “Oh, that's a great idea.”, “Can we make another one?”
Camera: Static
60 · Other · 1:45–1:47
A mustached man in a green shirt sits in a room of Bigfoot posters and books, talking to camera. A translucent editor UI overlays the shot with a timecode ruler, play controls and a filmstrip of thumbnails. White captions carry his lines at the bottom.
On-screen text: “Can we make another one?”, “About big foot's mom?”
Camera: Static
61 · Outro · 1:47–1:52
A locked-off black frame centers a glossy chrome 3D logo, an abstract rounded head form, above a single line of lavender credit text. Nothing moves; the logo and text hold static for the full duration.
On-screen text: “PIKA.ART/DIRECTORS-SUITE”
Camera: Static