0:36
Best 3D Launch Video for SaaSWAVE - 2D/3D Motion Design Course
SaaSWAVE · Design · Sep 2026
Explore
MTS - Introducing MTS: The first timeline-native news network that's alway
MTS (Monitor The Situation) · Apr 2026 · 0:43 · AI-annotated
- Length
- 0:43
- Scenes
- 45 · 1.0 s avg
- Product on screen
- 0:17
- Voiceover
- Yes
00:00:00 / 00:43:09
MTS (Monitor The Situation)’s 0:43 launch film runs 45 scenes, about 1.0 s each. The product shows up at 0:17. There is no explicit call to action; a voiceover carries the film. A 43 second brand manifesto cut at roughly 87 cuts per minute, moving from a typed terminal thesis through HUD scan graphics, white framed photo cards and a rocket countdown into a missile warning beat, bookended by the MTS logo. Its signature moves are the glitch and scan treatment on the wireframe human figure, the pale white background photo inserts with typed monospace captions, and the hard cuts between archival stills and 3D renders.
Footage neededEstimated needs: 1 capture group — your screens or recordings · 1 official logo — reused across the film · 25 filmed passages — shoot, supply or replace · 11 graphic passages — draw or supply · 4 3D passages — build or supply
Is this your launch? to your site or press kit.
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MTS - Introducing MTS: The first timeline-native news network that's alway, scene by scene
· 45 scenes as text
01 · Hook · 0:00–0:04
A locked-off black terminal screen types out three numbered lines of white monospace text, character by character behind a blinking block cursor. A running timecode sits top-left and an audio waveform pulses at the bottom; the text turns faint red as the final word completes.
On-screen text: “10 LIFE HAS BECOME MORE COMPLEX”, “20 IN THE OVERWHELMING SEA OF”, “30 ------INFORMATION”
Techniques: Kinetic type
Camera: Static
02 · Hook · 0:04–0:05
A blue wireframe human figure resolves from a vertical light streak inside a yellow circular HUD ring on black. Horizontal glitch bands flicker across the body while red glitch bars pulse along the bottom edge, and the frame stays locked off.
On-screen text: “I0 LIFE HAS BECOME MORE COMPLEX”, “80:+0:00:00”
Techniques: Morph
Camera: Push in
03 · Hook · 0:05–0:06
A blue wireframe human head and shoulders, built from tangled thin lines, sits centered inside a yellow circular HUD dial with tick marks and numbers. A red horizontal line crosses the lower third. The head rotates slightly as if being scanned.
Camera: Static
04 · Hook · 0:06–0:07
A blue point-cloud human figure forms inside a yellow circular targeting reticle on black, resolving from a tangled wireframe scan into a clean standing pose with arms out, while a red line runs across the base.
Techniques: Particles, Morph
Camera: Static
05 · Hook · 0:07–0:08
A glowing yellow particle globe spins at the center of a black frame, bisected by a horizontal line. Concentric HUD rings with tick marks and numerals rotate around it, a small red dash sits top right.
Techniques: Particles
Camera: Push in
06 · Hook · 0:08–0:09
A gold dotted globe turns inside a circular HUD of rings, ticks and crosshairs on black. Over the first half-second the HUD strips away and the globe recolors to cyan, leaving a spinning sphere of blue data particles with a small white bar at its center.
Techniques: Particles
Camera: Static
07 · Hook · 0:09–0:11
A blue wireframe brain sits centered inside an orange circular HUD reticle, with a white timecode counting up above and a small waveform below. The brain scans and shifts shape as the reticle holds it in a thin orange box.
Camera: Static
08 · Hook · 0:11–0:12
A blue wireframe brain spins inside a yellow clock ring at the center of a black HUD. The outer dial of tick marks and numbers recedes, blue DNA helixes fade in on both sides, red audio bars pulse at the edges, and the timer counts up.
Camera: Static
09 · Hook · 0:12–0:14
A glowing yellow dotted human figure stands with arms spread on a striped scanline panel, then runs between two thin white vertical lines, flanked by blue DNA double helices and red side structures on black.
On-screen text: “1”
Techniques: Particles
Camera: Static
10 · Hook · 0:14–0:15
A blue wireframe runner cycles in place between two vertical white lines on black; a red gym overlay fades out and a bottom progress line fills left to right.
On-screen text: “1”
Techniques: Particles
Camera: Static
11 · Hook · 0:15–0:17
A blue point-cloud figure runs in place at the center of a black screen, its pose shifting through a stride cycle. White tokens '10' and 'MTS' pop in beside it, a glowing dot and bar flank the figure, and a thin white line with a sliding tick runs along the bottom.
On-screen text: “10”, “MTS”
Camera: Static
12 · Product intro · 0:17–0:18
A small white MTS wordmark flashes at center on black, then the three-circle MTS logo, yellow, red and cyan with horizontal stripes, glows into view like a neon sign.
On-screen text: “MTS”
Camera: Static
13 · Other · 0:18–0:19
A flat close-up of a US ten-dollar bill hard cuts to a twenty-dollar bill, both centered on a white background with the portrait in focus.
Camera: Static
14 · Other · 0:19–0:19
A centered rectangle on a white background shows extreme close-ups of US dollar bills, cutting quickly between a man's engraved portrait, a serial number with the Federal Reserve seal, and large printed numerals.
Camera: Static
15 · Other · 0:19–0:20
A black-and-white archival image sits centered on a pale field, shifting between a halftone face with blocky numerals and a photo of two engineers at a vintage computer rack, the frame splitting into a vertical glitch offset. A monospace caption types “Is this 10” beneath it.
On-screen text: “Is this 10”
Camera: Static
16 · Other · 0:20–0:21
A grainy photo of a woman at a 1980s computer console sits on a white field and slowly zooms in. Below it, a black monospace caption reads Is this 10 and ticks up to 15 with a blinking caret.
On-screen text: “Is this 10|”, “Is this 15|”
Techniques: Kinetic type
Camera: Static
17 · Other · 0:21–0:21
Two faded archival photos crossfade on white, a woman at a 1980s terminal then a boy in sunglasses at a CRT desk. Below, a black monospace caption types out, the number ticking as the words fill in.
On-screen text: “Is this 20”, “years away 20”
Techniques: Kinetic type
Camera: Static
18 · Other · 0:21–0:22
A man in a black leather jacket holds two large chips, one in each hand, against a black stage. A quick cut switches to a second man in a blue shirt raising a small white computer. Both face the camera, lit from the front.
Camera: Static
19 · Other · 0:22–0:22
A man in a dark cardigan sits in a white armchair on a pink backdrop, gesturing as he speaks. The shot dissolves into a black-and-white frame of a suited man against a dark background.
Camera: Static
20 · Other · 0:22–0:23
A square live-action clip on a white background shows two men in a room with a handwritten quote on the wall. A seated man in a black leather jacket shakes hands with a standing man in a dark suit, who leans forward to clasp his hand.
Camera: Pull out
21 · Other · 0:23–0:24
A white-haired man in glasses and a black leather jacket sits at a table, speaking into a studio microphone, against a blurred bright office with floor-to-ceiling windows. A white caption reads at the lower left while the frame stays locked off.
On-screen text: “I think we've achieved”
Camera: Static
22 · Other · 0:24–0:25
A white-haired man in a black leather jacket sits at a studio microphone. A blue rectangular portrait of a suited man wipes in from the left, expanding to cover most of the frame while the speaker's face stays at the right edge.
Techniques: Masking
Camera: Static
23 · Other · 0:25–0:25
Three still portraits of political leaders appear one after another inside a centered rectangle on a white background, each fading into the next through a quick cross-dissolve.
Camera: Static
24 · Other · 0:25–0:26
A block of SMPTE color bars covers a still photograph of two men in dark suits shaking hands in front of Chinese and US flags; the bars clear away to reveal the image.
Techniques: Masking
Camera: Static
25 · Other · 0:26–0:27
A man in a dark suit and purple tie walks down a staircase with a metal railing, the camera tightening on his face as a second man in a suit follows behind. The footage has a grainy, warm archival film texture.
Camera: Pan
26 · Other · 0:27–0:28
A green night-vision shot of a military helicopter hovers inside a hangar, its spotlight flaring bright while smoke billows across the left side of the frame.
Camera: Static
27 · Other · 0:28–0:29
A still photograph dissolves from a close-up of a mustached man in a light jacket to a wider shot of him walking between four DEA agents in dark uniforms, framed on a plain white background.
Camera: Static
28 · Other · 0:29–0:29
A centered still photo on white shows five men walking: three in tactical DEA vests escort a man in a tan suit past a red barrier. The frame is locked off while two small DEA labels slide and reveal.
On-screen text: “DEA”, “DEA”
Camera: Static
29 · Other · 0:29–0:30
A close-up shows a man with long dark hair and a goatee, wearing a colorful patterned shirt, holding a steady thumbs-up gesture. He looks slightly off-camera with a shifting, subtle smile. The background is a blurred interior with teal walls and dark vertical frames.
Camera: Static
30 · Other · 0:30–0:31
A square video window on a pale gray background shows fighter jets. It opens on a night silhouette with glowing afterburner, then cuts to daytime clips of jets banking over a sea of clouds, leaving white contrails.
Camera: Static
31 · Other · 0:31–0:31
A rapid montage of high-contrast photographs cuts on a white field. A black plane silhouette over a blue curtain, a close-up of a bearded man, a group of men in suits, then a man in a black coat waving. Each image holds for a fraction of a second.
Camera: Static
32 · Other · 0:31–0:32
A grainy, desaturated film shot follows a dark jet as it banks and climbs, the silhouette growing smaller against a pale cream sky until it becomes a distant point trailing a faint line.
Camera: Static
33 · Other · 0:32–0:32
A grainy sepia-toned shot frames a dark metallic rocket engine structure as white steam billows upward and outward. A bright white column runs along the right edge while the camera holds still on the launch platform.
Camera: Static
34 · Other · 0:32–0:34
A rocket lifts off in a burst of flame and sparks, then the frame cuts to two astronauts on the lunar surface, one planting a US flag while the other walks toward camera.
Camera: Static
35 · Other · 0:34–0:34
A rapid montage of astronaut photos flips across a white background. It cuts from a black-and-white group in a mission control room to two color portraits of crew members in blue and orange flight suits.
Camera: Static
36 · Other · 0:34–0:35
Night launch footage: a rocket lifts off the pad, its exhaust flaring white around the launch tower, then a hard cut to the water tank's white dome as a bright burst of light breaks over its rim. A countdown voiceover runs under the two shots.
Camera: Static
37 · Other · 0:35–0:36
A rocket climbs vertically through a dense column of orange-lit smoke, the sun low on the horizon over a dark ocean to the right. Out-of-focus smoke drifts in the foreground while the camera tracks the steady ascent.
Techniques: 3D mockup, Parallax
Camera: Static
38 · Other · 0:36–0:36
A 3D rocket stands on a launch tower against an orange sunset as the voiceover counts down. The engines ignite in a burst of flame and the camera tilts and rotates as the rocket lifts off through a billowing fireball.
Camera: Static
39 · Other · 0:36–0:37
A slender rocket lifts off vertically from a coastal site, its exhaust plume blazing white against a blue, cloud-streaked sky with the sun low on the horizon. The shot holds for a beat, then cuts to black as the countdown voiceover reaches zero.
Camera: Static
40 · Other · 0:37–0:38
A bright white flash fades down to reveal a dark control room, its wall of glowing monitors showing world maps and red missile trajectories. Silhouetted operators in white shirts sit at consoles in the foreground. The camera holds still.
Camera: Push in
41 · Other · 0:38–0:39
A dim control room fills the frame. A wall of glowing monitors displays world maps, radar lines and a MISSILE WARNING label, while silhouetted operators sit at consoles lit with amber points. The shot holds as a static wide view.
Camera: Push in
42 · Other · 0:39–0:40
A white dotted human figure hovers at center on a black field, its torso dissolving into a thin trailing line. A horizontal waveform bar pulses along the bottom edge while a small timecode sits at the top. The frame stays locked off as the particles shift.
On-screen text: “MISSILE WARNING”, “00:00:40:18”
Techniques: Particles
Camera: Static
43 · Other · 0:40–0:42
A yellow human figure, centered on black, resolves from a wavy striped outline into a solid silhouette as a white timecode ticks above and a waveform progress bar advances below.
Techniques: Morph
Camera: Static
44 · Outro · 0:42–0:42
A black frame holds the white MTS wordmark stretched edge to edge, which scales down to a small centered logo. A timecode ticks at the top and a dotted progress line sits below.
On-screen text: “00:00:42:06”
Techniques: Kinetic type
Camera: Static
45 · Outro · 0:42–0:43
A three-circle logo in yellow, red and cyan, cut by horizontal scan lines, holds center on black then fades out above a white waveform that decays to a flat dotted line, while a timecode ticks at the top.
On-screen text: “00:00:42:06”, “00:00:43:16”
Camera: Static