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YC launch OpEra
OpEra · Oct 2026 · 2:03 · AI-annotated
00:00:00 / 02:03:22
The film alternates cinematic golden-hour problem beats with clean white 3D renders and flat UI demos, cutting at a brisk pace of about seven cuts per minute. Signature moves include growing node-and-line network overlays over aerials, large animated stat counters, and phone mockups that type out conversations word by word.
Footage neededEstimated needs: 2 capture groups — your screens or recordings · 1 official logo — reused across the film · 26 filmed passages — shoot, supply or replace · 3 3D passages — build or supply
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YC launch OpEra, scene by scene
· 34 scenes as text
01 · Hook · 0:00–0:02
A man in a dark jacket and cap closes the rear door of a white van in a dawn-lit parking lot, then turns to face the camera. The OpΣra logo sits in the top right corner. The frame stays locked off.
On-screen text: “One van has to deliver to twenty shops before 7 AM.”, “OpΣra”
Camera: Static
02 · Hook · 0:02–0:05
A low-angle shot tracks forward down an empty sunlit street at dawn, the metal grate in the foreground sliding out of frame as the camera pushes toward the glowing horizon. White subtitle captions appear at the bottom.
On-screen text: “One van has to deliver to twenty shops before 7 AM.”, “How many possible routes would you have”, “to compare to find the cheapest one?”
Camera: Push in
03 · Problem · 0:05–0:06
A low-angle street at sunset, a van parked ahead, cuts to a high aerial view of a city grid and stadium. The Opera logo holds top right and a white subtitle stays at the bottom throughout.
On-screen text: “OpΣra”, “to compare to find the cheapest one?”
Camera: Static
04 · Problem · 0:06–0:12
Aerial drone shot over a small town at sunset, a white delivery truck drives down the street. A white line-and-node network overlay grows above the rooftops as the stop count rises. A right-side counter updates from 120 to 3,628,800 to 2,432,902,008,176,640,000 routes while bottom captions read the numbers aloud.
On-screen text: “OpΣra”, “Five stops:”, “5 STOPS”, “120”, “ROUTES”, “a hundred and twenty ways.”, “Ten:”, “10 STOPS”, “3,628,800”, “over three million. ROUTES Twenty. 20 STOPS 2,432,902,008,176,640,000 two point four quintillion.”
Camera: Push in
05 · Problem · 0:12–0:12
Aerial dusk shot of a city street: a white box truck at the curb sits inside a white wireframe lattice of dots and lines that spreads over the adjacent building. Small caps upper right give 20 STOPS and a long route count; a bottom caption reads two point four quintillion.
On-screen text: “20 STOPS”, “2,432,902,008,176,640,000”, “ROUTES”, “two point four quintillion.”
Camera: Push in
06 · Problem · 0:12–0:16
Aerial drone view of a sunlit industrial park; a white node-and-line network overlays the rooftops, drifting with the camera. Right side: a stat block with 20 STOPS and the route count, then a large 77 YEARS fades in. Bottom caption crossfades to “a second would need seventy-seven years.”
On-screen text: “20 STOPS”, “2,432,902,008,176,640,000”, “ROUTES”, “A computer checking a billion routes”, “77 YEARS”, “AT A BILLION ROUTES A SECOND”, “a second would need seventy-seven years.”
Camera: Static
07 · Problem · 0:16–0:17
Top-down aerial over a warehouse district; a white mesh of nodes and lines links the buildings while stats (26 stops, a huge route count, 77 years) sit on the right, then the overlay fades out. A bottom caption poses the question.
On-screen text: “26 STOPS”, “2,432,902,008,176,640,000”, “ROUTES”, “77”, “YEARS”, “AT A BILLION ROUTES A SECOND”, “How can you expect your operations manager to deal with this?”
Camera: Static
08 · Problem · 0:17–0:19
A man in a light shirt sits at a sunlit desk, phone to his ear, leaning on his hand in front of two monitors showing spreadsheets. Papers and a binder lie on the desk. The locked-off medium shot holds on his posture as the subtitle runs below.
On-screen text: “How can you expect your operations manager to deal with this?”, “Opzra”
Camera: Static
09 · Problem · 0:19–0:22
A man in a dark shirt, seen from behind, walks through an open doorway into a sunlit distribution yard. Trucks and stacked pallets fill the background as workers move in the distance. Warm backlight and lens flare frame the shot while the camera tracks him from behind.
On-screen text: “And that is one decision, in a whole supply chain.”
Camera: Push in
10 · Problem · 0:22–0:23
Aerial drone view of a large industrial campus in flat fields at golden hour. A translucent silhouette of a person's head and shoulders dissolves out of the center, clearing the shot. The caption sits at the bottom center while the OpΣra mark holds in the top right.
On-screen text: “Think about a computer.”
Camera: Static
11 · Problem · 0:23–0:24
A macro shot of a machine nozzle placing parts on a green circuit board cuts to a wide factory aisle lined with machines, a worker at right. A SUPPLIERS node with radiating lines grows on the left while a caption holds at the bottom.
On-screen text: “Think about a computer.”, “Thousands of parts, from hundreds of suppliers,”, “SUPPLIERS”
Camera: Static
12 · Problem · 0:24–0:26
A 3D-rendered semiconductor cleanroom with rows of machines and a suited worker; a white node-and-line network labeled SUPPLIERS, WAFERS, BOARDS grows across the left as lines extend, with a caption at the bottom.
On-screen text: “OpΣra”, “Thousands of parts, from hundreds of suppliers,”, “SUPPLIERS”, “WAFERS”, “BOARDS”
Camera: Push in
13 · Problem · 0:26–0:27
Two workers in white coats and caps fit parts into a laptop on a conveyor in a dim factory. A white line-and-node network diagram overlays the left side, its SUPPLIERS, WAFERS and BOARDS labels holding still as ASSEMBLY fades in. A caption rests at the bottom.
On-screen text: “SUPPLIERS”, “WAFERS”, “BOARDS”, “going through thousands of steps.”, “ASSEMBLY”
Camera: Pull out
14 · Problem · 0:27–0:28
Cleanroom workers assemble laptops on a line as a white node-and-line network graph overlays the frame, its labels SUPPLIERS, WAFERS, BOARDS, ASSEMBLY spreading to add a TEST node. The footage cross-dissolves to automated machinery. OpΣra logo sits top right.
On-screen text: “SUPPLIERS”, “WAFERS”, “BOARDS”, “ASSEMBLY”, “going through thousands of steps.”, “TEST”
Camera: Pull out
15 · Problem · 0:28–0:33
Close-up of a robot arm working on a circuit board, overlaid with a white network graph linking labels from suppliers to one computer. The camera slowly pushes in; the overlay fades as the bottom caption crossfades to a second line.
On-screen text: “SUPPLIERS”, “WAFERS”, “BOARDS”, “ASSEMBLY”, “TEST”, “SHIPMENTS”, “Every step is a decision.”, “ONE COMPUTER”, “And today, most of them are good enough, but not optimal.”
Camera: Static
16 · Social proof · 0:33–0:36
Two founders stand on a sunlit street beneath a pink bougainvillea tree, speaking to camera. White name captions fade in beside each man, and a bold MIT wordmark pops in above their heads as the subtitle mentions the Operations Research Center.
On-screen text: “My name is Hindy.”, “Hindy Rossignol”, “CO-FOUNDER & CEO”, “Bernardo Chalita”, “CO-FOUNDER & CTO”, “I'm Bernardo.”, “We met at MIT Operations Research Center,”, “MIT”
Camera: Pull out
17 · Social proof · 0:36–0:48
Two founders stand on a street talking to camera, name captions on either side. As they name clients, the MIT, McKinsey, BMW and Sanofi logos fade in one by one above their heads. Subtitles run along the bottom, and the scene cross-dissolves to an aerial shot at the end.
On-screen text: “OpEra”, “Hindy Rossignol”, “CO-FOUNDER & CEO”, “Bernardo Chalita”, “CO-FOUNDER & CTO”, “We met at MIT Operations Research Center,”, “where we solve complex problems for companies like McKinsey,”, “BMW, and Sanofi.”, “If you have a factory, warehouses, stores,”, “and a fleet, what part of your operation costs you most? Tell us and let OpEra help you find the optimal solution”
Camera: Pull out
18 · Social proof · 0:48–0:52
High-angle dusk view of a distribution center dock, semi-trailers backed into the bays and forklifts moving pallets. The frame darkens and a large −38% figure with small labels fades in over the footage.
On-screen text: “So far, we have helped a large retailer”, “cut delivery costs by thirty-eight percent,”, “A LARGE RETAILER”, “−38%”, “DELIVERY COST”
Camera: Static
19 · Social proof · 0:52–0:55
Aerial dusk view of a sugarcane field, a harvester works on the right. Center stat text crossfades: -38% DELIVERY COST under A LARGE RETAILER becomes +55% MARGIN under A GLOBAL SUGAR-CANE PRODUCER. A white subtitle line sits at the bottom.
On-screen text: “So far, we have helped a large retailer”, “cut delivery costs by thirty-eight percent,”, “A LARGE RETAILER”, “-38%”, “DELIVERY COST”, “a global sugar-cane producer raise its margins by fifty-five percent,”, “A GLOBAL SUGAR-CANE PRODUCER”, “+55%”, “MARGIN”
Techniques: Kinetic type, Morph
Camera: Static
20 · Social proof · 0:55–0:56
A worker with a tool belt lifts a coiled cable into the open rear of a white van. Over the dark footage, a large light-blue +55% sits between small white uppercase labels reading A GLOBAL SUGAR-CANE PRODUCER and MARGIN, with a white subtitle line at the bottom.
On-screen text: “A GLOBAL SUGAR-CANE PRODUCER”, “+55 %”, “MARGIN”, “and a service marketplace reduce unfulfilled orders by fifty-four percent.”
Camera: Static
21 · Social proof · 0:56–0:58
A man loads yellow cable, then a ladder, into the open back of a white van. A large pale-blue statistic sits centered over him, swapping from +55% MARGIN to -29% UNFULFILLED ORDERS, with small-caps labels above and below and a white subtitle line at the bottom.
On-screen text: “Opera”, “A GLOBAL SUGAR-CANE PRODUCER”, “+55%”, “MARGIN”, “and a service marketplace reduce unfulfilled orders by fifty-four percent.”, “A SERVICE MARKETPLACE”, “-29%”, “UNFULFILLED ORDERS”
Techniques: Kinetic type
Camera: Pull out
22 · Social proof · 0:58–0:59
A worker in a blue shirt walks away from an open white van carrying a coiled hose. A large −54 % figure with the labels A SERVICE MARKETPLACE and UNFULFILLED ORDERS overlays the frame center, then clears away.
On-screen text: “A SERVICE MARKETPLACE”, “−54 %”, “UNFULFILLED ORDERS”, “and a service marketplace reduce unfulfilled orders by fifty-four percent.”
Techniques: Kinetic type
Camera: Static
23 · Feature reveal · 0:59–1:02
A monochrome white 3D model of a bakery factory assembles in isometric view as machinery, ovens and conveyor lines pop into place and small white tags name the zones. A black headline fades in top-left and a caption runs along the bottom.
On-screen text: “Take a bakery factory, for example.”, “We model your operations as a digital twin.”, “We model your operations as a digital twin.”
Techniques: 3D mockup
Camera: Push in
24 · Feature reveal · 1:02–1:05
Isometric white 3D model of a factory floor with blue crates, trucks and labeled zones (Mixing, Cooling, Packing, Racks, Dispatch); gray equations build line by line on the right while the bottom caption swaps and a slow push-in tightens the frame.
On-screen text: “Every rule, written as mathematics.”, “We model your operations as a digital twin.”, “We write every decision you make as mathematics.”
Techniques: 3D mockup
Camera: Static
25 · Feature reveal · 1:05–1:09
A white UI card for a bakery planner shows an isometric factory map with zone labels, stat cards and a Gantt chart of oven lines, under a static left headline. Bottom captions swap through three lines. The card dissolves into a warm amber 3D view of the factory floor.
On-screen text: “Your software. The best plan, every day.”, “We are the only one that builds software”, “And we give you a custom-built software”, “that finds the best plan, every day.”, “Your team runs it from the floor, with the OpEra agent.”
Techniques: 3D mockup
Camera: Static
26 · Feature reveal · 1:09–1:15
Rows of bread loaves ride a conveyor belt into a glowing orange tunnel oven in a dark bakery. A woman in a white coat and hairnet stands at the right, watching the line, then raises a phone as the camera slowly pushes in.
On-screen text: “Your team runs it from the floor, with the OpEra agent.”, “Four thirty-one in the morning.”, “Oven line one stops, and Ana tells OpEra.”
Camera: Push in
27 · Feature reveal · 1:15–1:16
A woman in a white coat and hairnet stands at the right, holding a phone, beside a glowing orange oven conveyor loaded with round bread rolls. The OpEra logo sits in a top corner while a caption runs along the bottom edge.
On-screen text: “Oven line one stops, and Ana tells OpEra.”
Camera: Push in
28 · Feature reveal · 1:16–1:20
A flat phone mockup on the left types a fault message into a chat input, sends it as a green bubble, and receives a white OpEra reply below. On the right a headline and small caption fade in; a bottom caption fades out.
On-screen text: “Ana reports from the floor.”, “Ana, shift lead · Plant 1 · 04:31”, “Oven line one stops, and Ana tells OpEra.”
Camera: Static
29 · Feature reveal · 1:20–1:35
A flat iPhone mockup on the left holds the incoming call screen from OpEra, the timer counting up as the accept and decline buttons fade out. On the right, the headline sits above a transcript that types out the voiceover word by word.
On-screen text: “Calls Marta for approval.”, “Marta, production planner · at home”, “OPERA”, “Hi Marta, it's OpEra. Oven line one is down at Plant 1, back at noon. I've moved orders seventeen, four and twenty-two to lines two and three. Everything is is”, “MARTA”, “Ok, I approve.”, “OPERA”, “Done. Ana has just been sent the new plan.”
Techniques: Kinetic type
Camera: Static
30 · Feature reveal · 1:35–1:37
A flat phone mockup on the left shows the OpEra chat, its last message fading in; on the right, the headline sits above three statistics that fade in: $2,100 saved, $0 penalties, 142 orders.
On-screen text: “The floor has the new plan.”, “Ana, on the floor · 04:33”, “$2,100 saved this morning”, “$0 in late penalties”, “142 orders out by 07:00, nobody late”
Techniques: Kinetic type
Camera: Static
31 · Other · 1:37–1:39
A man in a white shirt stands on a sunlit residential street, gesturing with both hands while speaking. A white name lower-third sits at left and a bottom caption reads 'For decades,' over the locked-off shot.
On-screen text: “Hindy Rossignol”, “CO-FOUNDER & CEO”, “For decades,”
Camera: Static
32 · Other · 1:39–1:54
A man in a white shirt stands on a sunlit sidewalk, talking to camera and gesturing, as the camera drifts slowly backward. A lower-third names him, subtitles roll at the bottom, and a grid of software logos fades in one by one at the upper left.
On-screen text: “Hindy Rossignol”, “CO-FOUNDER & CEO”, “what kept operations from excellence was the”, “complexity of modelling a business with mathematics.”, “Only a handful of companies could afford it.”, “So for the rest of them, it would be Excel, warehouse management systems, ERPs,”, “none of them talking to each other,”, “none of them showing you the”, “the right sequence of decisions to make”
Camera: Pull out
33 · Other · 1:54–2:00
A man in a maroon polo shirt stands on a sunlit residential sidewalk, speaking to camera against a wooden fence and parked cars. A name lower-third fades in at left while white subtitles run along the bottom.
On-screen text: “With AI, that becomes accessible to any mid-sized or large company.”, “Bernardo Chalita”, “CO-FOUNDER & CTO”, “That's why we're building OpEra”
Camera: Pull out
34 · CTA · 2:00–2:03
On a black field, the OpΣra wordmark forms from a swarm of white dots, then resolves into a solid white logo as the URL and email appear below. A bottom caption reads “That's why we're building OpEra”, and the whole lockup fades to black at the end.
On-screen text: “That's why we're building OpEra”, “operatechnologies.com”, “[email protected]”
Techniques: Particles, Morph
Camera: Static