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Invertix-launch-1

Invertix · Sep 2026 · 1:45 · AI-annotated · YC Fall 2026

00:00:00 / 01:45:02

Alternates locked-off interview shots in a frescoed gallery with stop-motion collage graphics on a beige linen canvas, reusing the same hand-drawn props as sketches, cutouts and a 3D diorama. Pacing is steady at about 14 cuts per minute, with large distressed serif words popping in around the speakers to punctuate key phrases.

Footage neededEstimated needs: 1 official logo — reused across the film · 19 filmed passages — shoot, supply or replace · 5 graphic passages — draw or supply · 2 3D passages — build or supply

More like this

Invertix-launch-1, scene by scene

· 28 scenes as text
  1. 01 · Hook · 0:00–0:03

    Hand-drawn sketches pop in and clear on a beige canvas texture in stop-motion style. A blue solar panel, a cube bursting with yellow lightning bolts, and a black interlocking hexagon mark each appear and vanish in turn.

    Techniques: Morph

    Camera: Static

  2. 02 · Hook · 0:03–0:07

    A young man in a black t-shirt speaks to camera in a medium close-up against a blurred mural wall; white subtitles sit at bottom center and a cream serif lower third with his name and title fades in at bottom left as he gestures.

    On-screen text: “Energy is the most important problem in the world right now.”, “Joseph Perrotta”, “CEO & CO-Founder of Invertix”

    Camera: Static

  3. 03 · Hook · 0:07–0:09

    A young man in a black tee stands centered before an ornate painted wall, speaking and gesturing. A lower-third identifies him at left, and a white caption appears at the bottom.

    On-screen text: “Joseph Perrotta”, “CEO & CO-Founder of Invertix”, “Society revolves around it.”

    Camera: Static

  4. 04 · Hook · 0:09–0:11

    On a beige linen background, a hand-painted heap of pumpkins and berries sits at left as a dripping rock, a plant with a DNA helix, and a wooden cart fade in one after another to its right. A white caption runs along the bottom.

    On-screen text: “Food, water, health, transport all depend on how much we are able to produce energy.”

    Camera: Static

  5. 05 · Problem · 0:11–0:15

    A young man in a black tee speaks to camera in a locked-off medium close-up, shallow focus softening a warm painted backdrop. White subtitles caption his line at the bottom, then clear as he settles.

    On-screen text: “Food, water, health, transport all depend on how much we are able to produce energy.”

    Camera: Static

  6. 06 · Problem · 0:15–0:17

    A young man in a black t-shirt stands centered before a classical painted wall, gesturing with both hands while speaking. A light serif headline fades in on the left side of the frame. The camera stays locked off throughout.

    On-screen text: “But current processes are still too slow.”, “Still too slow”

    Camera: Static

  7. 07 · Problem · 0:17–0:18

    A plain beige textured background fills the locked-off frame. Static text sits centered: a large line reading 'Still too slow' above two smaller lines noting frontier training runs pull more than 100 megawatts.

    On-screen text: “Still too slow”, “Frontier training runs already pull more”, “than 100 megawatts.”

    Camera: Static

  8. 08 · Problem · 0:18–0:18

    A vintage hand-drawn map with green terrain, blue coast, compass rose and cartouche fades into view at the center of a beige linen backdrop. A white two-line caption sits locked at the bottom of the frame.

    On-screen text: “Frontier training runs already pull more than 100 megawatts.”

    Camera: Static

  9. 09 · Problem · 0:18–0:23

    A torn vintage map lies flat on beige fabric. A 3D server rack fades in at its center, then blue solar panels pop in around it and a paper sun appears top right. The map and panels desaturate to gray while the sun stays yellow.

    On-screen text: “Frontier training runs already pull more”, “than 100 megawatts.”

    Techniques: 3D mockup

    Camera: Static

  10. 10 · Problem · 0:23–0:27

    A young man in a black t-shirt stands center frame before a frescoed wall, speaking and gesturing with both hands; static white subtitles sit at the bottom.

    On-screen text: “By 2030 they are projected at several”, “gigawatts each.”

    Camera: Static

  11. 11 · Problem · 0:27–0:33

    A young man in a black t-shirt speaks to camera against a blurred gallery wall. Large cream blackletter words of his sentence pop in around him, one by one, while clean white subtitles track his speech along the bottom.

    On-screen text: “Multiple nuclear plants for one single training run.”, “Multiple”, “nuclear plants”, “for”, “1”, “training run”, “Demand like that has never existed.”

    Techniques: Kinetic type

    Camera: Static

  12. 12 · Problem · 0:33–0:38

    A young man in a black tee with a small white logo stands centered before a classical fresco wall, speaking and gesturing to camera. White subtitles run along the bottom, then large serif “50” and “Years” appear on either side of him.

    On-screen text: “And the industry that has to supply it hasn't gotten faster in 50 years.”, “50”, “Years”

    Camera: Static

  13. 13 · Problem · 0:38–0:42

    A young man in a black t-shirt with a small white loop logo speaks to camera in a medium close-up, the background a blurred brown painting. White subtitles appear centered at the bottom as he talks; the shot stays static.

    On-screen text: “But the age of AI is our one chance to revolutionize this.”, “The biggest problem is energy scales by adding humans.”

    Camera: Static

  14. 14 · Problem · 0:42–0:43

    A man with glasses in a black t-shirt stands centered before a classical painted wall, gesturing with both hands as he speaks. A white subtitle runs along the bottom while a serif name and title lower-third fade in at lower left. Locked-off medium shot.

    On-screen text: “The biggest problem is energy scales by adding humans.”, “Kaan Durmaz”, “CO-Founder of Invertix”

    Camera: Static

  15. 15 · Problem · 0:43–0:45

    A man with glasses and a black T-shirt speaks in a shallow-focus room, gesturing with both hands. The locked-off medium shot keeps him centered while white subtitles and a lower-left name lockup remain fixed.

    On-screen text: “The biggest problem is energy scales by adding humans.”, “Kaan Durmaz”, “CO-Founder of Invertix”

    Camera: Static

  16. 16 · Problem · 0:45–0:49

    A man with glasses in a black t-shirt stands centered before a painted fresco wall, gesturing with both hands as he speaks. A static medium shot holds on him while white subtitles run along the bottom.

    On-screen text: “Every project moves at the speed of the”, “engineers who read the documents,”

    Camera: Static

  17. 17 · Problem · 0:49–0:53

    A young man with glasses and a black t-shirt speaks in a medium close-up, framed left of center against a softly blurred warm interior. White subtitles appear at the bottom of the frame in sequence as he talks. The camera stays locked off.

    On-screen text: “Every project moves at the speed of the”, “engineers who read the documents,”, “run the studies and create tickets.”

    Camera: Static

  18. 18 · Problem · 0:53–0:58

    On a beige linen background, classical statue figures pop in one by one from left to right, each smaller than the last, forming a descending row with soft drop shadows. A white caption stays fixed at the bottom.

    On-screen text: “When you need more people you add more coordination and the timelines get longer.”

    Camera: Static

  19. 19 · Problem · 0:58–1:04

    A painted wooden cart carrying seated robed figures slides in from the right across a beige canvas texture and drifts left, a second cart following in sequence. White subtitles read at the bottom of the frame.

    On-screen text: “When you need more people you add more coordination and the timelines get longer.”, “Plus, this work is neither heavy cognitive nor creative.”, “It's the repetitive work that everyone is forced to do.”

    Camera: Pan

  20. 20 · Product intro · 1:04–1:06

    A young man with glasses and a beard in a black t-shirt talks to camera in a dim room with a blurred ornate background. He smiles, then his face goes neutral. The shot is static; white captions sit at the bottom.

    On-screen text: “It's the repetitive work that everyone is forced to do.”, “That's why we build Invertix Labs.”

    Camera: Static

  21. 21 · Product intro · 1:06–1:09

    A blonde woman in a black t-shirt stands center frame before a classical fresco wall, gesturing with both hands as she speaks. Locked-off medium shot, soft warm light. A name and title sit at lower left while a subtitle line runs along the bottom.

    On-screen text: “Nicole Thorisch”, “Chief Science Officer”, “That's why we build Invertix Labs.”

    Camera: Static

  22. 22 · Product intro · 1:09–1:18

    Top-down 3D diorama on a beige cloth: an old map with solar panels, a server rack and a 3D sun, framed by two dark hexagonal brackets. The camera pulls back from a tight shot on the linked logo as the map colors in from grayscale, then the side brackets shatter and fall away.

    On-screen text: “We are building AI that builds and”, “operates energy.”, “Systems that do the coordination work”, “themselves at machine speed in parallel.”, “This includes the studies,”, “the fillings, the approval, the dispatch decisions.”

    Techniques: 3D mockup, Parallax

    Camera: Push in

  23. 23 · Product intro · 1:18–1:23

    A blonde woman in a black tee stands before a classical painted wall, gesturing as she speaks. Large cream distressed-serif words, Studies, Fillings, Approval, dispatch decisions, fade in around her in sync with her speech, while white subtitles caption the line at the bottom.

    On-screen text: “This includes the studies,”, “the fillings, the approval, the dispatch decisions.”, “Studies”, “Fillings”, “Approval”, “dispatch decisions”

    Techniques: Kinetic type

    Camera: Static

  24. 24 · Product intro · 1:23–1:28

    A young woman with long blonde hair in a black crew-neck shirt speaks to camera in a dim, soft-focus room, gesturing with her hands. White subtitles display her words along the bottom edge and swap once mid-clip.

    On-screen text: “The reason no one's done it is that none of this”, “exists in any data ever mapped or maintained.”

    Camera: Static

  25. 25 · Product intro · 1:28–1:29

    A woman with long blonde hair and a black t-shirt stands center frame before a painted classical wall mural. She gestures with both hands while speaking in a locked-off medium shot. A white caption sits at the bottom.

    On-screen text: “We solve these problems.”

    Camera: Static

  26. 26 · Product intro · 1:29–1:37

    A blonde woman in a black shirt speaks to camera in a dim, blurred interior, locked-off framing. A large white serif “AI” holds at left; “More energy” fades in at right around 3s, with subtitles below.

    On-screen text: “AI”, “AI that builds energy means more energy.”, “More energy”, “More energy means more AI, which ultimately builds energy faster.”

    Camera: Static

  27. 27 · Product intro · 1:37–1:39

    A blonde woman in a black tee stands centered before a painted classical mural, gesturing with both hands as she speaks to camera. A white subtitle line sits at the bottom of the locked-off frame.

    On-screen text: “AI”, “More energy”, “That's the whole thesis.”

    Camera: Static

  28. 28 · Outro · 1:39–1:45

    On a cream paper-grain background, the word INVERTIX is painted in rough black brush strokes, a small green vine sprouts through the middle letters, then the orange Y Combinator badge and wordmark fade in below before the frame cuts to black.

    On-screen text: “INVERTIX”, “Y Combinator”

    Techniques: Kinetic type, Masking

    Camera: Static